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The Flash (1987-2009) #5-6 – Speed McGee/Super Nature (Review)

So, I’m considering reviewing this season of The Flash, because the pilot looks interesting and I’ve always had a soft spot for the Scarlet Speedster. I’m also considering taking a storyline-by-storyline trek through the 1987-2009 Flash on-going series as a companion piece. If you are interested in reading either of these, please let me know in the comments.

Half-way through its first year, The Flash is still a mess.

It’s easy enough to see what writer Mike Baron is trying to do, but nothing is really gelling together. In theory, The Flash is the story of a twenty-year-old kid who is trying to fill his mentor’s shoes. It’s about a hero who has only just passed from his teenage years into adulthood, and trying to navigate all the problems that come with that. The intent is quite obvious here – to draw in readers who had been alienated by the somewhat generic (and perhaps even “dull”) perception of Barry Allen.

"Hm. This is always much more atmospheric when Batman does it."

“Hm. This is always much more atmospheric when Batman does it.”

This is an approach that clearly owes a lot to Marvel’s reinvention of the superhero genre, and it’s fairly easy to read Mike Baron’s Wally West as an attempt to update the superhero archetype established by Peter Parker for the eighties. Wally is a bit more grounded and real than his predecessor, with a bit of an edge. He finds himself navigating issues and personal problems that Barry Allen never had to worry about.

Unfortunately, the series can’t quite make this work. For every step forwards, there is an awkward step backwards. Every time it seems like The Flash might have a good personal hook into the world of Wally West, it falls back on generic superhero clichés that seem to have been ad-libbed into the script.

"Talk about an explosive relationship."

“Talk about an explosive relationship.”

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