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New Podcast! The Time is Now – Season 2, Episode 21 (“Somehow, Satan Got Behind Me…”)

I’m thrilled to appear on another episode of The Time is Now, discussing the second season of Millennium, which remains one of my favourite seasons of television ever. It’s a huge pleasure to have been asked back to discuss the last standalone episode of the season, Darin Morgan’s superb Somehow, Satan Got Behind Me, with the wonderful duo of Kurt North and Michael John Petty.

Somehow, Satan Got Behind me is a fascinating piece of television. It is effectively a miniature anthology episode, a collection of short stories, in which Frank Black doesn’t play a major role. Instead, Somehow, Satan Got Behind Me offers a decidedly off-kilter meditation on some of the core themes of Millennium in general and the second season in particular. These are stories about evil, but in its most petty and mundane forms. Four demons trade stories over coffee and pastry, reflecting on what mankind has made of the world that they were given.

As ever, you can listen directly to the episode here, subscribe to the podcast here, or click the link below.

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Millennium – Somehow, Satan Got Behind Me (Review)

This May and June, we’re taking a trip back in time to review the fifth season of The X-Files and the second season of Millennium.

Somehow, Satan Got Behind Me is Darin Morgan’s last script for Millennium.

It is an interesting script. It not as straightforward (and linear) as his scripts for Clyde Bruckman’s Final Repose or Jose Chung’s “Doomday Defense”, but it is not as outwardly complex (and intricate) as Jose Chung’s “From Outer Space.” These descriptors are all relative, of course. Somehow, Satan Got Behind Me is a Darin Morgan script through-and-through. It is clever, well-constructed, and thoughtful. It is one of the most eccentric episodes in a season full of eccentric episodes.

Little devil...

Little devil…

However, Somehow, Satan Got Behind Me remains rather hard to pin down. It doesn’t feel as cohesive or as singular as Morgan’s other scripts. Morgan tends to build his episodes around big thematic tentpoles. There are ideas and themes that reverberate across and throughout Somehow, Satan Got Behind Me, but the nature of the script means that the episode lacks the unity of purpose that viewers have come to expect from Darin Morgan. Somehow, Satan Got Behind Me is a rollercoaster of an episode, which seems to hop from one idea to another.

Of course, that would seem to be the point. Somehow, Satan Got Behind Me is a bold and experimental script in its own way. Morgan has essentially constructed a set of four interlocking (and occasionally thematically overlapping) short stories that are built around his own core themes and ideas. These are small and intimate tales, lying at the intersection between the mundane and the surreal. As such, it seems like the perfect place for Darin Morgan to take his second bow.

A demon crying on a toilet. What more could you want?

A demon crying on a toilet.
What more could you want?

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