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Who Critiques the Critics?

The ability of Transformers 2 to succeed so massively even with the godawful reviews that it is receiving has prompted yet another introspective look at the role that critics do, should and must play in the movie business. It’s a bout the right time of year – last year David Edelstein’s bitchy tirade against a certain blockbuster received such a vigorous lambasting that the author himself had to post an article in defense of his review, prompting other commentators to ask if the critics are out of touch with the public. I didn’t do film studies or go to journalism school. I didn’t do a term-long module on the role of the critic in the arts. Sure, it might sound like a simple enough role – you critique, it’s all there in the verb – but should you try to tell people if they’ll like the movie, or simply whether you did? If you know you hold a minority opinion, should you make some sort of concession to that? I don’t know, but the question interests me greatly.

The film critic in his default position...

The film critic in its default position...

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