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Millennium – Seven and One (Review)

This July, we’re taking a trip back in time to review the sixth season of The X-Files and the third (and final) season of Millennium.

Seven and One is the last episode of Millennium to be written by Chris Carter and Frank Spotnitz.

That is a pretty big deal. Frank Spotnitz had been a vital part of Ten Thirteen since the second season of The X-Files. He had also been the only X-Files writer apart from Chris Carter, Glen Morgan and James Wong to cross over to work on Millennium. He would become one of Carter’s most trusted associates, also contributing scripts to Harsh Realm and The Lone Gunmen. When The X-Files: Fight the Future took Carter’s attention away from Millennium in its second season, he proposed Spotnitz to run the show in his stead.

Here's Frankie!

Here’s Frankie!

Chris Carter had created Millennium, and it was clearly a show that meant a lot to him. While The X-Files was populist and accessible, Millennium always felt like more of an auteur project. It was solemn, abstract, contemplative. There is a sense that he was quite disappointed when his attention was diverted away from the show in its second year. Carter has talked time and time again about how he created Millennium as an examination of evil in the world. Appropriately enough, Seven and One finds him circling back around to that idea right before the show concludes.

Seven and One might be the most overtly religious script that Carter and Spotnitz have ever written. It seems to foreshadow the closing themes of Carter’s script for The Truth, the final episode of The X-Files. It emphasises just how essential religious themes are to Carter’s work.

Eye spy...

Eye spy…

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