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New Podcast! The X-Cast – Season 5, Episode 1 (“Redux I”)

The X-Cast just kicked off its season coverage, and I’m back with Tony Black to discuss the first part of the fifth season premiere Redux I.

Redux I was famously the second-most watched episode of The X-Files, behind Leonard Betts. It’s easy to see why. Not only was the episode following on from an edge-of-the-seat cliffhanger involving the supposed suicide of the male lead on one of the buzziest shows of the decade, but it was also the launch of the season that would lead into the feature film adaptation, The X-Files: Fight the Future. As such, it was a pretty daring move on the part of Chris Carter to devote so much of the premiere to purple prose monologues playing over Mulder walking down grey corridors.

I think this is a pretty fun and interesting discussion. Redux I is always an episode that I’ve have complicated and conflicted feelings about, and the podcast was a nice opportunity to work through some of those strange emotions. Anyway, I hope there’s something worthwhile in here.

You can listen to the episode here, or click the link below.

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Millennium – The Beginning and the End (Review)

This May and June, we’re taking a trip back in time to review the fifth season of The X-Files and the second season of Millennium.

The Beginning and the End manages the impressive and paradoxical feat of both rebooting Millennium and resolving the cliffhanger at the end of Paper Dove. These two contradictory impulses become part of the thematic fabric of The Beginning and the End, an episode fascinated by duality and opposition. Can the polaroid stalker be both a serial killer of the week and the herald of something so much greater? Can Catherine and Frank Black be both united and separated? Can Millennium be the same show it was last year and something completely new?

The Beginning and the End is the start of the show’s polarising and divisive second season. To critics, the second season completely branches off from the first season of the show, replacing a framework that had grown and developed over the course of the year with a bizarre and unwieldy approach that was gonzo and surreal. To fans, the second season was an ambitious and exciting piece of television utterly unlike anything that had been broadcast before or has been broadcast since.

Up in the sky...

Up in the sky…

With Chris Carter back focusing on the development of The X-Files and the looming release of The X-Files: Fight the Future, Fox drafted in Glen Morgan and James Wong to steer the second season of Millennium. The duo had helped to define the identity of The X-Files in its first year, and had produced the failed (but ambitious and prescient) series Space: Above and Beyond for the network. After working on the fourth season of The X-Files and the first season of Millennium, Fox allowed the pair to produce their own pilot – The Notorious Seven.

When Fox opted not to take The Notorious Seven to series, they asked Glen Morgan and James Wong to take charge of Millennium in its sophomore season. As The Beginning and the End demonstrates, Morgan and Wong promptly made the show their own.

Looking up and wondering...

Looking up and wondering…

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