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Star Trek: Deep Space Nine – The Passenger (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first season. Check back daily for the latest review or retrospective.

And here we hit what amounts to the rock bottom of Star Trek: Deep Space Nine‘s first season. The Passenger and Move Along Home exist as the two weakest stories in this first season, and the point from which Deep Space Nine begins to map a path towards recovery, climaxing in the best final two episodes of any first season in the history of Star Trek. We’re a long way from that, and we seem furthest from it here.

While Move Along Home is a legitimately bad episode, one with flaws that probably should have been spotted in any of the episode’s troubled development history, The Passenger suffers because it is the most bland and generic of the first season Deep Space Nine episodes. It accomplishes nothing, but it feels worse because its ambitions were so low. It’s the kind of story that could easily have been told on any Star Trek show, or any science-fiction series, but with no sense of local colour to give it distinctive flavour.

The Passenger is just as bland as the title makes it sound.

The not-so-good Doctor...

The not-so-good Doctor…

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Star Trek: Deep Space Nine – Captive Pursuit (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first season. Check back daily for the latest review or retrospective.

Much like Babel, it’s not too difficult to reimagine Captive Pursuit as an episode of Star Trek: The Next Generation. It’s notable for being one of the few episodes of Deep Space Nine to really feature the famous “Prime Directive”, something of a staple of the original Star Trek, The Next Generation and even Voyager. Like a lot of episodes from the middle of Deep Space Nine‘s first season, this seems almost like an attempt to port on episode concept directly over from The Next Generation. In particular, the notion of the crew dealing with a fugitive while wrestling with the Prime Directive feels like a retread of The Hunted.

That said, Captive Pursuit does work quite well, taking a familiar concept and putting a twist on it unique to the show. Despite the fact the episode’s premise feels like it has been carried over, the execution is careful enough to distinguish Deep Space Nine from its older sibling.

The hunted...

The hunted…

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Star Trek: Deep Space Nine – Babel (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first season. Check back daily for the latest review or retrospective.

With Babel, we hit the most significant flaw in the first season of Star Trek: Deep Space Nine. Put frankly, Babel is the first story that could easily have worked as an episode of the original Star Trek or of Star Trek: The Next Generation. Indeed, Michael Piller concedes in Captains’ Logs Supplemental – The Unauthorized Guide to the New Trek Voyages that Babel had a history longer than that of Deep Space Nine itself:

We had this premise for over five years at Next Generation. It was written by the same person who wrote “Hollow Pursuits” for us, and we had always been attracted to the idea that you could suddenly lose the ability to use language and communicate, and how people are able to communicate with each other.

This isn’t necessarily a bad thing, but it’s worth noting that the first season of Deep Space Nine was airing concurrently with the sixth season of The Next Generation. If people wanted to see stories that could work on The Next Generation, it made more sense to see them executed on that show by a production team with experience in these sorts of plots.

While Babel isn’t a bad episode by any means, there’s a sense that it has been cobbled together from leftovers at another table, and the result isn’t nearly as satisfying as it should be.

Chief concerns...

Chief concerns…

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Star Trek: Deep Space Nine – A Man Alone (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first season. Check back daily for the latest review or retrospective.

To be fair to Star Trek: Deep Space Nine, it’s clear that the show’s heart is in the right place. After all, a Star Trek television show isn’t quite the gambit that it was in 1987. The producers expect that the series will be going for quite some time. After all, the regulars signed six-year contracts, one of the reasons that the show managed to make it to its penultimate season without losing a primary cast member.

As such, a lot of the early episodes of Deep Space Nine seem prudent – they effectively amount to good housekeeping. While Star Trek: The Next Generation got its cast together and couldn’t wait to start telling bold Star Trek stories, you can see that Deep Space Nine is laying a lot of groundwork. The ensemble doesn’t gel instantly. Episodes are devoted to little more than set-up for something that will pay off over the coming year. A vast supporting cast is systematically established.

This is world-building, and it’s world-building to a purpose, even if Deep Space Nine doesn’t seem to really know what that purpose is yet. So it’s quite hard to fault these early episodes, even if they feel more like set-up for delayed pay-off.

The writing's on the wall for Odo...

The writing’s on the wall for Odo…

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