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Ultimate Marvel Team-Up (Review/Retrospective)

Ultimate Marvel Team-Up occupies a strange place in Marvel canon. Written by Brian Michael Bendis and illustrated by a rake of top-tier talent, it was essentially a series designed to showcase these impressive artists while adding a bit of depth and breadth to the then-fledgeling Ultimate Marvel Universe. Essentially a continuity that had been launched from scratch, with the goal of attracting new fans put off by decades of back story in the regular shared universe, Brian Michael Bendis had pioneered the line with his superb Ultimate Spider-Man, a book that he is still writing today (albeit in a slightly different form). Due to its nature, Ultimate Marvel Team-Up is a somewhat disjointed effort, where quality varies almost from issue-to-issue, but it’s still worth a look for anybody with any interest in Bendis’ Ultimate Spider-Man work.

Who says there aren’t crocodiles in the sewer?

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Acts of Vengeance: The Punisher vs. Doctor Doom (Review/Retrospective)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.”

In celebration of the release of The Avengers, this weekend we’re taking a look at the massive 1989-90 crossover “Acts of Vengeance”, which pitted various villains against some unlikely heroes. I’ll be looking at some of the most fun match-ups. This arc is collected in the companion omnibus.

I tend to like my Punisher stories with a hint of the ridiculous about them. I seem to be the only person who thought that Garth Ennis did his best work on the character as part of Marvel Knights rather than Punisher MAX, because I tend to think the character works best as a sort of an absurd straight man in mainstream comics. He is, after all, a character who uses superhero iconography (a giant skull on his chest, no matter how stripped-down the iteration) while being a guy with a gun who likes to kill criminals. I’ve always felt that the character required a suspension of disbelief that that only really worked if he was played just slightly ridiculous. Of course, that’s my opinion, and I seem to be in the minority on this, but it probably explains why I found Mike Baron’s tie-in to Acts of Vengeance – pitting the Punisher against Doctor Doom – to be so much damn fun.

Closing in to seal his doom…

Note: The always wonderful Chris Simms took a more indepth look at this unlikely crossover on Comics Alliance, perfectly capturing the wonderful insanity of it all.

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Acts of Vengeance Omnibus (Review/Retrospective)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.”

As The Avengers is getting its U.S. theatrical release this weekend, I thought I’d celebrate by taking a look at a gigantic crossover. I’ll be reviewing individual tie-ins over the weekend, so check back!

Truth be told, I would have been quite disappointed if I made it all the way to the end of the month without taking a look at one of those token “big, dumb” crossovers featuring Marvel’s iconic characters. Truth be told, Acts of Vengeance just looked kinda fun. Although it spread to Marvel’s whole line, it was directed by writer and artist John Byrne, who was behind Avengers and West Coast Avengers at the time, so I’m totally counting it as an Avengers crossover. It’s one of those incredibly silly concepts that could only ever work in the context of superhero comic books. Basically, tired of being soundly defeated by their heroes, a bunch of supervillains decide to band together and exchange partners. Hilarity ensues as the line struggles to maintain editorial consistency.

Shattered heroes…

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Garth Ennis’ Run on Punisher MAX – Hardcover, Vol. V (Review)

To celebrate St. Patrick’s Day, this month we’re going to take a look at Northern Irish writer Garth Ennis’ run on that iconic Marvel anti-hero, The Punisher. Check back every Friday and Wednesday for a review of a particular section.

And so we’re here. We’ve reached the end of Garth Ennis’ Punisher MAX run, and one of the last things the author wrote for the character (he’d go on to write the Punisher: WarZone miniseries to tie into the film of the same name). It’s frequently regarded as perhaps the definitive run on the character, one held up as an example of what the Marvel MAX imprint is capable of. So, it’s been a long, sixty-issue journey to this point. And, I have to confess, I wasn’t entirely blown away by the run, or the conclusion to it.

Firing on all cylinders?

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Garth Ennis’ Run on Punisher MAX – Hardcover, Vol. IV (Review)

To celebrate St. Patrick’s Day, this month we’re going to take a look at Northern Irish writer Garth Ennis’ run on that iconic Marvel anti-hero, The Punisher. Check back every Friday and Wednesday for a review of a particular section.

I don’t know. It seems like, at times, I run hot and cold to Garth Ennis’ Punisher MAX run. It’s frequently cited as one of the great runs of modern comics, and there are moments when – if I squint – I can see hints of that masterpiece everybody is taking at. At other times, it seems I’m wandering in the desert, staring at a perfectly functional comic book, trying to figure out what everybody is making such a big fuss about. This penultimate collection of Ennis’ run contains two great examples of this. On one hand, the collection opens with the incredibly pedestrian Man of Stone, while it closes with the smarter-than-it-appears Widowmaker. Neither story is a masterpiece, but the latter has a lot more insight than I’ve come to expect from the series, while the former takes an interesting premise and does nothing with it.

The Punisherette?

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Garth Ennis’ Run on Punisher MAX – Hardcover, Vol. III (Review)

To celebrate St. Patrick’s Day, this month we’re going to take a look at Northern Irish writer Garth Ennis’ run on that iconic Marvel anti-hero, The Punisher. Check back every Friday and Wednesday for a review of a particular section.

I think I’m finally getting the hang of Ennis’ run on Punisher MAX. It seems that it’s pretty much positioned between two extremes: bleak nihilistic cynicism and depressing absurdist black comedy. I don’t think that any collection of Ennis’ work illustrates these two extremes quite as well as this one, collecting both The Slavers and Barracuda – the former undoubtedly Ennis’ darkest work on the title and the former probably the most ridiculously cynical comedy the writer has drafted for the character (at least on the MAXline). It certainly makes for one weird cocktail.

Frankly my dear...

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Marvel Knights: Punisher by Garth Ennis Omnibus

To celebrate St. Patrick’s Day, this month we’re going to take a look at Northern Irish writer Garth Ennis’ run on that iconic Marvel anti-hero, The Punisher. Check back every Friday and Wednesday for a review of a particular section.

Solo act again. No Micro. No gimmicks: no fancy ammo, no battle-vans, no high-tech surveillance. Just the basics. Been gone a while. Distracted. The scum in this city need a wake-up call. And here it comes.

– Frank Castle gives us a mission statement

Looking back, it’s hard to imagine how big a mess the Punisher was in before Garth Ennis got his hands on the character. The fascination with “darker and edgier” in the nineties had given the character a huge boost, but it was quickly wasted. From a character who had supported multiple books during the “boom” years, he was reduced to one core title with a radical new direction. Imagining the Punisher as some sort of avenging angel figure hadn’t worked out, so it seemed like that character was truly struggling to keep his head above water. Then Garth Ennis arrived, writing a twelve-part maxi-series that would be the first step in a long and fruitful relationship with the character. He didn’t try to radically revamp the character, opting for a back-to-basics approach with a healthy dash of black humour, realising that there was something inherently absurdist about a gun-carrying psychopathic killing machine with a skull on his chest, sharing a universe with angels and demons and superheroes.

Welcome back, Frank...

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Garth Ennis’ Run on Punisher MAX – Hardcover, Vol. II (Review)

To celebrate St. Patrick’s Day, this month we’re going to take a look at Northern Irish writer Garth Ennis’ run on that iconic Marvel anti-hero, The Punisher. Check back every Friday and Wednesday for a review of a particular section.

There’s a dream I have from time to time. And in the dream I don’t stop. I kill the soldiers and the hitmen, the extortioners and racketeers, the dark old &%^@s who send them out to fight– I hold the trigger down until they’re all gone–

But I don’t stop.

The innocents are just watching, like always. The slack jawed thousands, gazing at the beast. My family lie red and shredded in the grass. I face the crowd and bring the weapon to my shoulder. If my world ends, I tell them, so does yours.

The recoil starts and I wake up.

It’s  just a dream, I always tell myself. It’s just a dream.

It’s just a dream.

– Frank Castle, Up is Down and Black is White

You know, I’m not entirely sold on the format of Garth Ennis’ Punisher MAX. It seems a strange thing to say, given how I’m slowly starting to appreciate what the writer is doing with the character, but I’m not convinced that the rigid six-issue structure that Ennis is adopting fits the character particularly well. Don’t worry, I know it’s a very strange and irrational complaint to have – partially because there’s so much else going on that merits discussion, and also because six-issue arcs have become the industry norm (because they fit the size of a trade paperback). That said, I think may have figured out why it bothers me so.

Gun play...

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Garth Ennis’ Run on Punisher MAX – From First to Last (Tyger, The Cell, The End) Review

To celebrate St. Patrick’s Day, this month we’re going to take a look at Northern Irish writer Garth Ennis’ run on that iconic Marvel anti-hero, The Punisher. Check back every Friday and Wednesday for a review of a particular section.

It’s interesting. Collecting three one-shots from writer Garth Ennis involving the Punisher, this collection manages to skilfully capture everything I love and loathe about the Northern Irish writer’s take on the Marvel character. The three stories collected here – The Tyger, The Cell, The End – run the full range from the early years of Frank’s life, to his early career as the Punisher, through to the end of humanity itself. That’s a pretty huge scope for a writer, and it’s telling that Ennis can cover all that range in so few pages, so smoothly. There’s a lot of good clever stuff here, but there’s also the insanely juvenile stuff that so often seems to knock me out of Ennis’ Punisher just when it looks like I might start enjoying it.

To the ends of the Earth...

Note: This review is going to contain spoilers. In each case, it’s probably best you know as little as possible about these three stories heading into them. So, if I had to offer a quick recommendation, I’d suggest that they are essential for fans of Ennis’ take on the character, and capture and expand on his core ideas well. However, if you aren’t familiar with the character, there are better places to start (ironic, given two of these three are origins, after a fashion). If you can’t stand the Punisher… well, this won’t convince you.

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Garth Ennis’ Run on Punisher MAX – Hardcover, Vol. I (Review)

To celebrate St. Patrick’s Day, this month we’re going to take a look at Northern Irish writer Garth Ennis’ run on that iconic Marvel anti-hero, The Punisher. Check back every Friday and Wednesday for a review of a particular section.

It’s Omaha Beach. Wounded Knee. Rorke’s Drift, The Killing Fields, the first day on The Somme. World War Three in North Jersey. And only now, pouring automatic fire into a human wall — do I feel something like peace.”

– Frank Castle, In the Beginning

I don’t like The Punisher as a concept. It’s not some out-dated “heroes don’t kill” or “I need a good guy to be morally straightforward”, it’s more that the character is extraordinarily childish. This is the very embodiment of the nineties anti-hero explosion, the bubble in the mid-nineties which say Wolverine become even more outrageously (and inexplicably) popular, turned Ghost Rider into a major player in the Marvel Universe, and saw The Punisher hold down three (yes, three) monthly comic books. This is a guy who wears a skull on his T-shirt and kills criminals… that’s his schtick. And somehow, he became “uber-kewl”.

Armed and dangerous...

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