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New Podcast! The X-Cast – Season 3, Episode 24 (“Talitha Cumi”)

I’m back on The X-Cast this week, covering Talitha Cumi with the one and only Tony Black, a nice companion piece to last week’s episode covering Wetwired.

Talitha Cumi is a controversial and divisive episode, particularly among fans of the series. It is relatively unique as far as season-finales go, in that it is perhaps the only season finale in The X-Files that could not also serve as a series finale as well. It is very poetic and very lyrical story, but also one that largely eschews a lot of the structures and rhythms that audiences expect from narratives. I have always had a soft spot for it, and I think I get a chance to articulate why on the podcast. As little sense as the actual plot of Talitha Cumi makes on a beat-by-beat basis, it works very well as a thematic piece meditating on big ideas.

It was, always, a pleasure and an honour to discuss the episode with Tony. I’m always flattered to be asked back. There were a few recording hitches with the episode that meant we had to record it, and some of that giddiness shines through a little bit. I hope it’s enjoyable to listen to, as it was one of my favourite podcasting experiences. We also talk a little bit about the third season of the series as a whole, about whether it is the best season and even how we measure such things. It’s quite an extended episode, but I hope you enjoy it.

The truth is in here. You can listen to the episode here, or click the link below.

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The X-Files – Biogenesis (Review)

This July, we’re taking a trip back in time to review the sixth season of The X-Files and the third (and final) season of Millennium.

‘When Alexan­der saw the breadth of his domain, he wept for there were no more worlds to con­quer.’ Ben­e­fits of a clas­si­cal education.

– Hans Gruber, Die Hard

In hindsight, “ending” the mythology with a two-parter in the middle of the season was always a risky proposition.

Airing Two Fathers and One Son during February Sweeps was a logical decision. Ending the mythology that had been running through the show for five-and-a-half seasons was certain to grab the attention of casual viewers, reeling them in to boast up ratings. The X-Files had always aired mythology two-parters during Sweeps, putting them forward as examples of the best that the series could do and cementing the show’s claim to be “blockbuster television.” Choosing to wrap up the mythology during February Sweeps was just an extension of that approach.

Look what just washed up...

Look what just washed up…

And it worked. Two Fathers earned the second highest Nielsen score of the sixth season, landing just behind The Rain King. Two Fathers was the last time that The X-Files would rate so highly. As such, the decision to “close off” the mythology in the middle of the season was a very shrewd decision. However, it did raise questions about what the show would do at the very end of season. After all, The X-Files liked to bookend its seasons with mythology episodes, counting on a mythology cliffhanger to carry viewers across the long gap between seasons.

How do you tell a mythology story when you’ve just worked so hard to tidy it all away?

Behind the curtain...

Behind the curtain…

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Non-Review Review: Transcendence

Transcendence is a passable b-movie suffocated by pretension and self-importance. What amounts to a conventional paint-by-numbers story about technology-gone-mad is suffocated by the weight it affords itself. The movie feels like it wants to be a meditation on technology and human independence, but instead feels like a re-heated fifties science-fiction horror lightly flavoured with millennial anxieties. There are good ideas here – the movie’s second act comes quite close to working, sandwiched between a fuzzy first act and a messy climax – but none of the fun that might excuse the sizeable flaws.

There's an app for that...

There’s an app for that…

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