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The X-Files – Underneath (Review)

This December, we’re taking a trip back in time to review the ninth season of The X-Files.

Nothing like cancellation to get the vultures circling.

It is the nature of television that not every episode ends up exactly the way that the production team would like. Working on a tight deadline with a limited budget, compromises have to be made. Sometimes, there is not enough time to properly polish a script so that it makes sense. Other times, the special effects have to be rushed. Churning out twenty-odd episodes in a season demands a lot of the production team, and it seems impossible to maintain a perfect record across a full season.

Skull and bones..

Skull and bones…

The X-Files might have held itself to the highest production standards, but there are inevitable missteps along the way. Fearful Symmetry is about invisible zoo animals because there is no way that the show could be about visible zoo animals. Teso dos Bichos had difficulty wrangling its cats. The special effects work on Tunguska came so close to the wire that people in different parts of the country actually saw different cuts of the episode. Parts of Christmas Carol had to be reshot when the child actor proved unreliable in Emily.

These are the realities of television production. It is not always pretty, and the result is not always fantastic, but it gets done. Fans and commentators have a tendency to overlook these problems when they occur at the height of the show. They are less forgiving when they occur past the show’s prime.

Crosses to bear...

Crosses to bare…

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