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The X-Files – Kaddish (Review)

This February and March, we’re taking a trip back in time to review the fourth season of The X-Files and the first season of Millennium.

Kaddish is the last solo script that Howard Gordon wrote for The X-Files.

The writer would remain part of the writing staff until the end of the fourth season, contributing to scripts like Unrequited or Zero Sum. However, Kaddish would be the last script credited to Howard Gordon alone. So Gordon does not quite get the clean farewell that Darin Morgan got with Jose Chung’s “From Outer Space” or that Glen Morgan and Howard Wong received with Never Again. Instead, Howard Gordon remains a pretty significant presence on the show even after writing his final solo script.

The word made flesh...

The word made flesh…

Nevertheless, Kaddish is packed with a lot of the images and themes associated with Gordon’s work. As with Fresh Bones or Teliko, it is a horror story set within a distinct ethnic community. As with Firewalker or Død Kälm or Grotesque, there is an element of body horror at play. As with Lazarus or Born Again, this is essentially a supernatural revenge story. Kaddish offers a distilled collection of the tropes and signifiers that Gordon helped to define for The X-Files, making it an appropriate final script for the writer.

It helps that Kaddish is a surprisingly sweet and thoughtful little horror story.

The outside looking in...

The outside looking in…

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