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Space: Above and Beyond – Eyes (Review)

This November (and a little of December), we’re taking a trip back in time to review the third season of The X-Files and the first (and only) season of Space: Above and Beyond.

Eyes is perhaps the most ambitious that Space: Above and Beyond has been to this point in the season.

Eyes develops scraps hinted at in The Pilot and The Farthest Man From Home into a complex web of intrigue, with an assassination plot playing out against all sorts of institutionalised prejudice and suggesting sinister conspiracies at work behind the horrific war that drives the show. The last episode of Space: Above and Beyond credited to Glen Morgan and James Wong in 1996, the episode feels like it is solidifying the series. Six episodes in, enough foundations have been laid that development can begin.

An unstoppable killing machine.

An unstoppable killing machine.

Eyes is rather epic in scale, and massive in scope. It is a story about politics and scheming, unfolding quite far away from the front lines. In episodes like The Pilot, The Farthest Man From Home and even Ray Butts, it often felt like our lead characters were quite divorced from the big decisions. It seemed like the show was very much preoccupied with a day in the life of a space marine, rather with the larger forces at play seen only in glimpses and shadows.

Eyes is a show that does a lot to build the world of Space: Above and Beyond, doing a much better job than The Dark Side of the Sun or Mutiny at giving a sense of this dark future. While the script is perhaps a little too cluttered for its own good, it is a very well-constructed paranoid conspiracy thriller.

That's not at all fascist.

That’s not at all fascist.

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