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The X-Files: Conspiracy (IDW) (Review)

This June, we’re going to be taking a look at the current run of The X-Files, beginning with the IDW comic book revival and perhaps taking some detours along the way. Check back daily for the latest review.

IDW is quite different from Topps and Wildstorm, the two prior comic book companies to hold the license for The X-Files.

Part of that simply reflects changes in the comic book industry over time, with a greater fixation on concepts like shared universes and continuity, along with an increased emphasis on the importance of “the canon.” Part of that is simply down to the way that IDW operates as a publisher. The company is the fourth-largest comic book publisher in America, behind Marvel, DC and Image. While the company publishes a number of creator-owned properties, its success has largely been based around licensing properties.

A mutant phenomenon...

A mutant phenomenon…

In doing so, the company has adopted a model quite close to that of Marvel or DC. It tends to organise its books around these properties in the same way that Marvel or DC might organise themselves around the so-called “families.” Much like books like Detective Comics, Nightwing or Batgirl are considered part of the “Batman” family or books like Wolverine, Namor and X-Force fall under the X-Men banner, IDW tends to group its books into familiar families based around licensed properties. Transformers, G.I. Joe, Teenage Mutant Ninja Turtles.

It is not uncommon for each of those lines to support multiple books. For example, the company would publish a number of miniseries as companion pieces to their monthly Star Trek or Doctor Who comics. The same would be true of The X-Files: Season 1o, with the company publishing a number of tie-in books around that. Year Zero and Millennium are the most obvious example, providing the company with the opportunity to publish several branded X-Files books within the same month.

I bet super soldiers wish that they could do this.

I bet super soldiers wish that they could do this.

At the same time, the company engages with its properties in much the same way that Marvel or DC might. Marvel and DC tend to fall into a pattern of massive so-called “events” that serve to draw particular books away from their own internal narratives and towards a more “epic” story. Civil War focused on a fight between Captain America and Iron Man, but crossed over into over one hundred comic book issues published over seven months. There are countless other examples, from House of M to Crisis on Infinite Earths to Siege to Final Crisis.

IDW has organised several of its own blockbuster events to tie together its own licensed properties; Infestation and and Infes2ation come to mind. To celebrate the landing of the license, it was decided that the 2014 crossover would be themed around The X-Files. It is just a shame that the result was terrible.

We ain't afraid of no ghosts...

We ain’t afraid of no ghosts…

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