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Star Trek: Enterprise – Minefield (Review)

Next year, Star Trek is fifty years old. We have some special stuff planned for that, but – in the meantime – we’re reviewing all of Star Trek: Enterprise this year as something of a prequel to that anniversary. This April, we’re doing the second season. Check back daily for the latest review.

Shuttlepod One worked very well in the first season, didn’t it?

The episode was one of the highlights of the first season, received very well by both the cast and fandom. So it makes sense to revisit that basic set-up early in the second season. This time it isn’t Malcolm Reed and Charles Tucker facing death in the cold void of space. Instead, Jonathan Archer and Malcolm Reed find themselves struggling with a mine as a countdown ticks away in the background. Facing all-but-certain death, characters are thrown into conflict with one another. Sparks fly, drama happens.

Let's go outside.

Let’s go outside.

To be fair, Minefield ups the stakes dramatically. It takes the same high-stakes characters-against-the-void drama that made Shuttlepod One such a success and then blends it with Star Trek: First Contact and throws the Romulans into the mix just two months before the release of Star Trek: Nemesis. It is very much a high-concept cocktail of episode, a show with a lot going on and a lot of focus in contrast to the more relaxed pace of something like Carbon Creek.

Minefield does feel a little bit too derivative and like it is promising something that never quite arrives. However, it is built around a very sound structure, makes good use of the special effects available for the show, and gives Scott Bakula and Dominic Keating a chance to play off one another. It offers a lot of promise for the second season, only to be retroactively tainted by the fact that the second season never delivers on any of these promises.

All I need is the air that I breath...

All I need is the air that I breath…

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