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The X-Files (IDW) Christmas Special 2014 (Review)

This June, we’re going to be taking a look at the current run of The X-Files, beginning with the IDW comic book revival and perhaps taking some detours along the way. Check back daily for the latest review.

The X-Files Christmas Special 2014 is an indulgence. There is no other way to cut it. The primary story is essentially a Christmas wrap party that happens to feature the bulk of the cast from The X-Files: Season 10, cutting loose and making references and in-jokes like nobody’s business. The secondary story allows writer Karl Kesel the opportunity to expand out a fun one-liner from Year Zero into a full-blown story. Neither story is essential, or adds much to their parent series. It is hard to justify either story on its own merits.

Still, if you can’t excuse an indulgence at Christmas time, when can you?

How the gremlins stole Christmas...

How the gremlins stole Christmas…

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The X-Files: Season 10 (IDW) #16-17 – Immaculate (Review)

This June, we’re going to be taking a look at the current run of The X-Files, beginning with the IDW comic book revival and perhaps taking some detours along the way. Check back daily for the latest review.

Immaculate is perhaps most notable for reintroducing the character of Frank Black.

One of the more interesting ironies of Millennium is the fact that show had a smaller fanbase than The X-Files, but also a much more vocal campaign to resurrect the series. Outside of a few die-hards eagerly hoping for a third film, X-Files fans had only really begun to clamour for the series to return following the hype around the show’s twentieth anniversary. In contrast, fans of Millennium had been angling for a continuation of their beloved series for years in a number of high-profile ventures.

Familiar demons...

Familiar demons…

Perhaps the most obvious of these campaigns was the Back to Frank Black campaign, which was even endorsed by series star Lance Henriksen providing an introductory voiceover to the Millennium Group Session podcasts urging listeners that “the time is now” and which put out a wonderful series of critical essays and interviews concerning the series in October 2012. As recently as August 2015, they were organising a campaign to bring a revival to Netflix. When the return of The X-Files was announced, one of the big recurring questions was “what about Frank Black?”

As such, it seemed like it was only a matter of time before Frank Black turned up in IDW’s monthly X-Files comic book series.

Baby on board.

Baby on board.

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The X-Files: Season 10 (IDW) #11-15 – Pilgrims (Review)

This June, we’re going to be taking a look at the current run of The X-Files, beginning with the IDW comic book revival and perhaps taking some detours along the way. Check back daily for the latest review.

Pilgrims is essentially an attempt to do a mid-season mythology episode in the style of Colony and End Game or Tunguska and Terma, a big sprawling epic populated by familiar faces and impossible scale that is driven more by questions and mysteries than by answers or revelations. It is in many ways a testament to writer Joe Harris’ desire to emulate the basic structure and framework of The X-Files, right down to the manner in which he structures The X-Files: Season 10.

There are a lot of obvious markers and touches that help Pilgrims to feel like a classic mid-season mythology episode. There is an international scope, as seen in the trip to the Arctic in End Game or to Hong Kong in Piper Maru or to Russia in Terma. The first half of Pilgrims unfolds in Saudi Arabia, with Mulder and Scully dispatched to investigate what initially appears to be a terrorist attack on an oil operation but is promptly revealed to be something far more sinister.

The red and the black.

The red and the black.

Similarly, in keeping with the style and tone of many of the best mythology two-parters, the basic plot is relatively straightforward even as complications appear at the edge of the frame. In End Game, Mulder is racing to recover his lost sister as details about secret cloning experiments spill out around him. In Nisei, Mulder is trapped in a traincar with a ticking time bomb and a dangerous assassin as he digs away at the conspiracy. In Apocrypha, the black oil just wants to go home. The same is true in Pilgrims, which follows an alien trying to escape.

Even the structure of the five-issue arc recalls that of many X-Files two-parters, with a massive pivot coming between the third and fourth issues in the same way that many two-parters would switch premises at the half-way point. The Saudi Arabia plot wraps up at the end of the third issue, while Gibson Praise is introduced at the start of the fourth. The first three issues focus on the mystery of the Saudi attack, while the final two put a much greater emphasis on the traditional trappings of the X-Files mythology including the conspirators and Skyland Mountain.

Lone survivors.

Lone survivors.

It is remarkable how faithful Joe Harris is to the format of those classic X-Files mythology episodes. Of course, this is something of a double-edged sword. As with a lot of The X-Files: Season 10, the biggest weakness of Pilgrims is the fact that it all feels a little overly familiar and a little too indulgent. Krycek was one of the most popular supporting characters from the nine-season run of The X-Files, but bringing him back at the centre of a five-part epic mythology story feels like pandering and fan service. Harris is not inventing his own mythology, but resurrecting an old one.

Then again, that might seem to be the point. The black oil discovered in Pilgrims is compared to the oil resting beneath Saudia Arabia. In that respect, it is the remains of long-dead organisms compressed and decayed and converted into fuel. There is something more than a little appropriate about that.

Eye see.

Eye see.

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The X-Files: Season 10 (IDW) #10 – More Musings of a Cigarette-Smoking Man

This June, we’re going to be taking a look at the current run of The X-Files, beginning with the IDW comic book revival and perhaps taking some detours along the way. Check back daily for the latest review.

More Musings of a Cigarette-Smoking Man is certainly an ambitious story.

As the title suggests, writer Joe Harris and artist menton3 position this one-shot as a spiritual sequel to Musings of a Cigarette-Smoking Man, the controversial fourth season episode written by Glen Morgan and directed by James Wong. Musings of a Cigarette-Smoking Man offered a window into the past of the Cigarette-Smoking Man, a possible glimpse of who he had been and how he had come to be. It was also one of the most consciously stylised and ambiguous episodes in the entire nine-year run of the show.

Wheels within wheels.

Wheels within wheels.

Writing a spiritual sequel to that classic episode is a bold decision from the creative team. As with a lot of the big creative decisions concerning The X-Files: Season 10, More Musings of a Cigarette-Smoking Man seems too focused on the past. There is a sense that the monthly series is a little too beholden to what came before, too rooted in continuity, too dedicated to revisiting the iconography of the series. Writing a single-issue standalone story positioned as a sequel to on of the most unique episodes of the original run only emphasises this unease.

And, yet, in spite of these legitimate concerns, More Musings of a Cigarette-Smoking Man works reasonably well. It is indulgent and obsessive, but it is also rich and mysterious. It is disjointed and uneven, but that feels like the point. In keeping with the spirit of Musings of a Cigarette-Smoking Man, it feels like More Musings of a Cigarette-Smoking Man is a reflection on the comic book itself. This is a comic book contemplating its own identity and purpose, even as it finds itself being made redundant.

X marks the spot.

X marks the spot.

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The X-Files: Season 10 (IDW) #9 – Chitter (Review)

This June, we’re going to be taking a look at the current run of The X-Files, beginning with the IDW comic book revival and perhaps taking some detours along the way. Check back daily for the latest review.

Chitter is an interesting single-issue story.

In many ways, Chitter feels very much like a throwback. It is a “monster of the week” story, the first such story to be written by Joe Harris focusing on an original creation. In fact, Harris acknowledged as much on his blog, remarking, “It’s my first, original ‘Monster of the Month’ (a term I’m taking sole credit for) story and it’s utterly disgusting, I’m sorry.” Although the plot includes a few nods towards the overarching themes of The X-Files: Season 10, the story stands almost completely alone. It would be possible to skip the issue entirely without missing much of importance.

Bugging out...

Bugging out…

This is very much an oddity in terms of The X-Files: Season 10, a monthly comic book series that has been very focused on the mythology and continuity of The X-Files. The first eight issues of the series were given over to threads dangling from the original show, whether the continuation of the mythology in Believers or the fate of the Fluke Man in Hosts or the origin of Mister X in Being for the Benefit of Mister X. This is the first time that the comic book has told a story that feels self-contained and truly standalone.

There is something very refreshing in that, with Harris constructing a story that feels very much in keeping with the tone and mood of The X-Files without relying on specific details. In many ways, it feels more like a classic episode than any of the previous issues. More than that, it actually feels very much like one of the early X-Files comics written for Topps by writers like Stefan Petrucha or John Rozum. It is a very strong piece of work.

Crawl good...

Crawl good…

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The X-Files: Season 10 (IDW) #8 – Being for the Benefit of Mr. X (Review)

This June, we’re going to be taking a look at the current run of The X-Files, beginning with the IDW comic book revival and perhaps taking some detours along the way. Check back daily for the latest review.

Being for the Benefit of Mr. X is effectively another origin story, following on from Hosts.

While Hosts explained exactly how the Fluke Man came to be, and even gave the character tangible motivation, Being for the Benefit of Mr. X is largely driven by flashbacks that proceed to explain and elaborate upon Mulder’s second informant. Mister X has long been one of the franchise’s most interesting and underdeveloped character, in part owing to the fact that the show fleshed out very little about him and in part due to Steven Williams’ performance. While the show revealed a lot about Deep Throat or the Cigarette-Smoking Man, Mister X remains a mystery.

Marking the spot.

Marking the spot.

The question, of course, is what this actually adds to the story being told. It is fun to revisit the origin of Mister X, but he is very much an outdated concern at this point in the show’s life. In fact, the character’s last appearance was in flashback in Unusual Suspects at the start of the fifth season, following his death in Herrenvolk at the start of the fourth season. Unlike the Cigarette-Smoking Man, Mister X was never literally resurrected. Unlike Deep Throat, he never turned up to haunt Mulder in episodes like The Blessing Way or The Sixth Extinction II: Amor Fati.

It is not as if writer Joe Harris has constructed a particularly compelling origin story for Mister X. The story told in Being for the Benefit of Mr. X is solid and sturdy, integrating quite smoothly with the continuity of the show and the character as we understand it. However, there are no real surprises or tangents, no twists or surprises. Being for the Benefit of Mr. X is a solid “done in one” story. It just feels a tad unnecessary.

In too Deep (Throat)...

In too Deep (Throat)…

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The X-Files: Season 10 (IDW) #6-7 – Hosts (Review)

This June, we’re going to be taking a look at the current run of The X-Files, beginning with the IDW comic book revival and perhaps taking some detours along the way. Check back daily for the latest review.

Balance was always going to be an issue for The X-Files: Season 10, even in a purely logistical sense.

At its peak, The X-Files was churning out twenty-six episodes in a season. Of those, maybe a third would be mythology episodes and the rest would be standalone monster of the week stories. As a result, the show could find the time to balance earth-shaking mythology episodes like Paper Clip, Nisei, 731 and Talitha Cumi with brilliant episodic television like Clyde Bruckman’s Final ReposeOublietteGrotesquePusher and Jose Chung’s “From Outer Space.” Part of the appeal of The X-Files was always striking that balance.

No Fluke.

No Fluke.

That is not really possible with a conventional comic book release schedule. Comic books are released once a month, limiting the creative team to twelve issues in a given year. They might also get an annual, if the comic is popular. Given modern comic book narrative conventions and the lower page counts of modern comics, “done-in-one” standalone stories are increasingly uncommon. At best, it seems like a creative team might get away with seven stories in a year, six two-parters and an annual.

This causes issues in structuring a comic book season of The X-Files. Quite cleverly, The X-Files: Season 10 runs for twenty-five issues, evoking the length of a classic television season. However, it tells far fewer stories, with the run dominated by epic sprawling mythology stories like the five-part Believers, the five-part Pilgrims and the five-part Elders. That is three-fifths of the “season” given over to three mythology stories. It is no wonder that the rest of the run feels so compressed.

Worming his way back to you...

Worming his way back to you…

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The X-Files: Season 10 (IDW) #1-5 – Believers (Review)

This June, we’re going to be taking a look at the current run of The X-Files, beginning with the IDW comic book revival and perhaps taking some detours along the way. Check back daily for the latest review.

Five years can be a long time.

To be fair, there was a six-year gap between the broadcast of The Truth and the release of The X-Files: I Want to Believe, so the gap was not unprecedented. Nevertheless, the fact is that Mulder and Scully had been retired for five years since their last film and eleven years since their last television episodes. Even the most hardcore fans of The X-Files had begun to doubt that the show would ever return in any tangible form. However, the show was entering its twentieth anniversary year, and forces were stirring in the background.

X-appeal.

X-appeal.

Occasionally interviews would surface with David Duchovny or Gillian Anderson mooting the possibility of doing a third feature film. After all, despite the promise made in the opening of The Truth, 2012 had come and gone without an alien invasion or a global apocalypse. The franchise had set its own alarm clock and slept through it. There were still fitful stirrings, suggestions of possible future developments. As the franchise passed what many regarded as its “best before” date, Frank Spotnitz even speculated that fans might be treated to a reboot.

In many ways, the revival of The X-Files began somewhat innocuously. In January 2013, comics publisher IDW announced that they would be publishing a monthly series focusing on the continuing adventures of Mulder and Scully. This was not necessarily news of itself. IDW had a long history of managing licensed properties, such as the JJ Abrams Star Trek reboot and the Russell T. Davies Doctor Who relaunch. That was very much their market niche in the comic book industry, especially with nostalgic titles like Ghostbusters or Teenage Mutant Ninja Turtles.

How the years 'shroom by...

How the years ‘shroom by…

While the launch of the title did suggest that there was an audience for stories featuring Mulder and Scully, it did not necessarily lead to the promise of greater things. Indeed, the announcement that IDW would be publishing The X-Files: Season 10 consciously and clearly evoked the approach that the publisher Dark Horse had adopted towards Buffy: The Vampire Slayer and Angel, running entire seasons of comic book stories that served as the new “canon” for the characters. But nobody was expecting Sarah Michelle Gellar to reprise the role of Buffy Summers.

However, the IDW comic book launch served to bring Chris Carter out of semi-retirement and back into the media spotlight. Joss Whedon had consulted with Dark Horse on Buffy: Season Eight, the prolific television writer and producer was also working on his own concurrent projects that included directing episodes of The Office and preparing Doctor Horrible’s Sing-Along Blog. In contrast, Chris Carter had been largely silent since the release of I Want to Believe. The launch of the comic book brought him back.

Where there's smoke...

Where there’s smoke…

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