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Non-Review Review: Guardians of the Galaxy

Guardians of the Galaxy hits a few bumps along the way, but it works very well.

The key to this would seem to be James Gunn. Like the best of the Marvel comic adaptations, Guardians of the Galaxy is a film that manages to find its own unique authorial voice amid the cross-pollination of Marvel’s vast cinematic universe. Like Shane Black on Iron Man 3, Kenneth Branagh on Thor or Jon Favreau on Iron Man, James Gunn manages to put his own unique stamp on Guardians of the Galaxy – a film that remains compellingly personal amid the apocalyptic 9/11 imagery.

Lighting the way...

Lighting the way…

While the film suffers from some of the structural weaknesses that are typical of Marvel’s blockbusters, its strengths come from the director and co-writer. Although set in a vast universe with epic stakes and impossible odds, Guardians of the Galaxy works best when it focuses on its characters, whether the human Peter Quill (with his “outlaw name” Star Lord), the killing machine Drax, the sentient and sensitive tree Groot, the racoon named Rocket or the prodigal daughter named Gamora.

Guardians of the Galaxy is a film that introduces itself to the image of Peter Quill dancing beneath the logo, to the tune of Fooled Around and Fell In Love by Elvin Bishop, playing from a cassette labelled “Awesome Mix, Vol. 1.” That is all you need to know.

Gotta dance...

Gotta dance…

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Annihilators (Review/Retrospective)

It’s a bit of a shame that Dan Abnett and Andy Lanning’s run on Marvel’s “cosmic” comics ended up ending like this – whimpering away rather than finishing with a bang. The pair have been responsible for one of the most cohesive and entertaining aspects of Marvel’s publishing line over the past half-decade, producing some of the best events in recent years, and even providing the Guardians of the Galaxy run that will (apparently) inspire the upcoming blockbuster. I sincerely hope to see an omnibus collection of that run. However, Lanning and Abnett seem to fade from the scene, following up the climax to their cosmic events, The Thanos Imperative, with two Annihilators miniseries, the second of which didn’t sell well enough to merit a hardcover collection.

It’s a bit of a shame because, despite some admittedly serious flaws, their Annihilators four-issue miniseries actually has a lot of promise, and is something I wouldn’t have objected to seeing extended past the two miniseries.

Talk about an Ikon-oclast…

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