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Star Trek: Deep Space Nine – Doctor Bashir, I Presume (Review)

Doctor Bashir, I Presume is a strange little episode.

It directly follows In Purgatory’s Shadow and By Inferno’s Light, a two-part story in which it was revealed that Doctor Julian Bashir had been abducted by the Dominion at some point during the fifth season and replaced with a changeling infiltrator. Although the maths can be a little difficult to work out, it is suggested that Bashir was replaced by a changeling at some point before Rapture. With that in mind, it seems strange that the very next episode of Star Trek: Deep Space Nine should reveal that the recently returned Julian Bashir is himself an imposter.

"Oh, shiny."

“Oh, shiny.”

However, even on its own terms, Doctor Bashir, I Presume is a very odd piece of television. The hook of the episode is a guest appearance from Robert Picardo as Lewis Zimmerman. Picardo is making a crossover appearance from Star Trek: Voyager where he played the EMH, who had also made an appearance in Star Trek: First Contact. Picardo is a fine dramatic actor, but the character is notable for being comic relief. Doctor Bashir, I Presume begins as a light-hearted quirky piece, turning sharply at the half-way point to become a gritty science-fiction family drama.

All of this is quite jarring. However, Doctor Bashir, I Presume works surprising well. A large part of that is down to how strange the episode is, often feeling like an intimate family drama about recrimination and disappointment set against the backdrop of a massive science-fiction franchise.

A selfie with himself.

A selfie with himself.

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Star Trek: Enterprise – Cold Station 12 (Review)

This May, we’re taking a look at the fourth (and final) season of Star Trek: Enterprise. Check back daily for the latest review.

It seems like everybody loves Star Trek II: The Wrath of Khan. At the very least, Star Trek fans love the movie. Dearly.

The film has featured on several AFI ballots, even if it rarely placed. The film was included in The Guardian‘s 2011 “my favourite film” cycle. It placed second in a Rolling Stone readers’ poll of the best movies adapted from television series. A 2013 fan poll placed it as the best loved of all the Star Trek movies, the same poll that (ridiculously) ranked Into Darkness as the worst film in the franchise. In 2016, the film’s final conversation between Kirk and Spock topped a fandom poll of the duo’s best moments.

"The Wrath of Khan had a LOT of influence."

The Wrath of Khan had a LOT of influence.”

As such, The Wrath of Khan casts a long shadow. Four of the ten Star Trek films that followed borrow its structure and tone. Star Trek: First Contact swaps Khan for the Borg as the returning television antagonist. Star Trek: Nemesis casts Tom Hardy in the villainous role, complete with super weapon and nebula battle. Star Trek finds Eric Bana doing his best Ricardo Montalban impression. It is practically a relief (and a surprise to absolutely no one) when Benedict Cumberbatch finally announces, “My name is Khan.” At least he’s being candid.

Star Trek: Enterprise paved the way for all of this with its Borderland trilogy, which amounts to one gigantic nostalgic tribute to that second Star Trek film. Although the episodes bookending the trilogy are hardly subtle, the middle instalment of that trilogy is perhaps the most egregious example. There are points at which Cold Station 12 plays like a forty-minute deleted scene from The Wrath of Khan.

"I'm in command! And there's no Timothy Carhart to stop me now!"

“I’m in command! And there’s no Timothy Carhart to stop me now!”

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Star Trek: Enterprise – Borderland (Review)

This May, we’re taking a look at the fourth (and final) season of Star Trek: Enterprise. Check back daily for the latest review.

Borderland establishes the format that will come to define the fourth season of Star Trek: Enterprise; the mini-arc, a single story told over two or three episodes before moving along to the next adventure.

Technically speaking, Storm Front, Part I and Storm Front, Part II established the format for the season. However, the franchise had done multi-part season premieres before. Star Trek: Deep Space Nine was particularly fond of the format, seguing from a status quo altering season finale into a multi-part season opener; The Homecoming, The Circle, The Siege, The Search, Part I, The Search, Part II, The Way of the Warrior, Image in the Sand, Shadows and Symbols. This is to say nothing of the massive six episode arc that opened the sixth season.

Put your hands together for Mister Brent Spiner.

Put your hands together for Mister Brent Spiner.

Borderland represents a departure because it signals that the fourth season of Enterprise will be comprised entirely of multi-episode stories. Historically, Star Trek shows had typically done one or two multi-part stories in a season, give or take a cliffhanger to bridge two years of the show. The fourth season of Enterprise would tell seven multi-part stories eating up seventeen episodes of the twenty-two episode season order. It was certainly a bold departure for the series and the franchise.

In fact, Borderland begins the franchise’s first three-part episode since the second season of Deep Space Nine. (Although determined fans could likely stretch logic a little to suggest that Tears of the Prophets or Zero Hour were season finales that formed a three-parter when tied into the two-part premieres that followed.) It is a curious departure, and one that immediately helps to establish the fourth season of Enterprise as something quite distinct.

A slave to continuity...

A slave to continuity…

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