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Non-Review Review: About Time

About Time is pretty much vintage Richard Curtis. I don’t mean that in a bad way – certainly not in an entirely bad way. Curtis knows how to structure a romance, has a gift for distinguishing characters in a large ensemble, and has the capacity to employ sentimentality to calculated and devastating effect. About Time has moments of brilliance and emotional punch, framing the main character’s inexplicable ability to time travel in delightful metaphorical terms.

At the same time, Curtis has his weaknesses. Most notably, there’s the sense that his lead characters are all variations on the same character – with more cynical pundits suggesting the base model might be Curtis himself. Similarly, his ensembles are constructed efficiently as a collection of quirky characters who do quirky things quirkily, living out the most quaintly British of lives involving afternoon tea and indulging in the most stereotypical of exclamations (“just a tick…”, “oh gosh…”, etc). There’s a sense that Curtis’ world exists inside old-fashioned post cards more than in anything approaching the real world.

More than that, though, Curtis labours his point just a little bit too much, as if worried the audience might miss the whole “we’re all travelling in time” metaphor and the “secret to being happy” philosophy if it isn’t explicitly articulated in a voice-over monologue set to an upbeat pop song.

Time enough at last...

Time enough at last…

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