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The Film Critic is Dead… Again…

We’re coming into summer blockbuster season. Hell, one might suggest that Kick-Ass has heralded the start of it. If it hasn’t, Clash of the Titans has. That’s if you don’t believe Alice in Wonderland kicked it all into high gear. Anyway, you know what that means – spectacle, lots of it. Some of it incredible, some of it… not so much. The masses flock to the cinema to while away the long summer evenings and movie theatres are filled with the laughter of children (which can be quite irritating to the patrons). It also means that, like the spring lambs, the beautiful cycle of the life and death of film criticism must begin anew. Critics will begin to lament their increasing irrelevance as poor movies make huge sums of money, journalists will light a funeral pyre and some filmmakers like Kevin Smith will gladly join the mob chanting ‘critics are dead’. This fine annual tradition will ebb and flow like the box office fortunes of many an undeserving behemoth. And at the end of it, the critics will still be here.

Why so grim?

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Are Bloggers Critics?

Is any profession less secure than film criticism? Really. I mean, I was depressed about the box office success of Transformers 2 as well and was disappointed no one heeded you, but I didn’t begin to doubt my very profession. Similarly I was upset that G.I. Joe: The Rise of Cobra was marketed around film critics, but I didn’t become openly petty about you guys not seeing the film for free. This time, it’s the fact that critics are being grouped with bloggers that has prompted a rather severe reaction from some quarters. Is there any point to be made?

The film critic on new media...

The film critic on new media...

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I Love You, Roger Ebert…

There’s a lot of trash talk out there about Roger Ebert. Is he going soft in his old age? Is he wrong to ‘go easy’ on really terrible films? I don’t know and I don’t care, because the man is some sort of legend. Sure, I may disagree with his opinion from time (I don’t buy his argument against 3D, for example, and there are quite a few movies on which he and I diverge), but I always find his comments insightful, well considered and respectful. That’s something a lot of film critics these days who seem to use their reviews to make pith putdowns and blithe one-liners could learn from – and I am looking at you, David Edelstein. Still, he ain’t a man to pull his punches, and that’s another reason I love him so dearly. His latest attack was on those who dared deem Transformers 2 a good movie – or even defend it as “as good as it could have been”. The article can be read here and is well worth a look for anyone interested in the man or his artform, or even movies in general.

Some man for one man...

Some man for one man...

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Who Critiques the Critics?

The ability of Transformers 2 to succeed so massively even with the godawful reviews that it is receiving has prompted yet another introspective look at the role that critics do, should and must play in the movie business. It’s a bout the right time of year – last year David Edelstein’s bitchy tirade against a certain blockbuster received such a vigorous lambasting that the author himself had to post an article in defense of his review, prompting other commentators to ask if the critics are out of touch with the public. I didn’t do film studies or go to journalism school. I didn’t do a term-long module on the role of the critic in the arts. Sure, it might sound like a simple enough role – you critique, it’s all there in the verb – but should you try to tell people if they’ll like the movie, or simply whether you did? If you know you hold a minority opinion, should you make some sort of concession to that? I don’t know, but the question interests me greatly.

The film critic in his default position...

The film critic in its default position...

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