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The X-Files – En Ami (Review)

This September, we’re taking a trip back in time to review the seventh season of The X-Files and the first (and only) season of Harsh Realm.

The seventh season mythology has a weird hazy feeling to it. It feels almost like a postscript.

It is hard to explain what is happening with the mythology at this point. Two Fathers and One Son had promised an end to the over-arching conspiracy narrative, but it felt like something of a half-measure. The First Elder and the Second Elder were killed off, but most of the other major players remained. Although Scully congratulated Mulder on toppling the conspiracy in Biogenesis, the same episode seemed to off-handedly suggest that the Cigarette-Smoking Man was still working on it. He was still talking hybrids in The Sixth Extinction II: Amor Fati.

I'll drink to that...

I’ll drink to that…

At the same time, Two Fathers and One Son marked the end of the mythology as an on-going concern. The particulars of colonisation and the nature of the Cigarette-Smoking Man’s work were confined to limbo, some sort of bizarre twilight realm where they might exist or they might not; they simply drift around the show like ghosts. Whether or not Two Fathers and One Son actually resolved any aspect of the show’s overarching plot is open to debate; however, they very clearly suggested that the mythology was not the show’s central story going forward.

In the seventh season, it frequently feels like the mythology is a hazy backdrop against which character-driven stories might unfold. In The Sixth Extinction, an alien ship becomes a gateway to meditations on the nature of human existence while Krycek blackmails Skinner and Fowley still works with the Cigarette-Smoking Man. In The Sixth Extinction II: Amor Fati, the Cigarette-Smoking Man is making hybrids and murders Fowley, but the heart of the story is Mulder’s flirtation with temptation. Sein und Ziet and Closure have nothing to do with colonisation.

Smokey and the bandit...

Smokey and the bandit…

To be fair, this was arguably always the case with mythology episodes. In hindsight, it can seem like the mythology episodes were less part of an on-going story and more meditations on common themes tied into a shared continuity. Colony and End Game are spectacular pieces of television, but they are hard to reconcile with later revelations. The End arguably has more in common with Biogenesis than it does with the feature film into which it is supposed to tie. However, the mythology always held the promise of revelations and twists to propel it forward.

The principal effect of Two Fathers and One Son seems to have been to take away that sense of purpose and destination. The mythology is no longer building towards something or racing forward. Instead, the mythology stories seem to take place in the wasteland; a world in ruins, with only the fractured semblance of internal logic. En Ami continues the trend of setting character-driven stories amid the hazily defined unreality. Scully and the Cigarette-Smoking Man take a road-trip together through whatever is still standing.

Peering through an open door...

Peering through an open door…

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