Real Life is in some ways a departure for Star Trek: Voyager.
That much is obvious from the teaser, which introduces three new characters on a new set. More than that, the three characters comprise a nuclear family and the set is built to resemble the stereotypical American family home. It is a very strange image, even before the characters begin talking like they escaped from The Brady Bunch. In what might be the best teaser of the entire third season, it is revealed that the EMH has fashioned himself a holographic family and is “commuting” to work in sickbay from the holodeck.

Projections.
It is certainly an interesting idea, one that consciously brushes up against the kinds of limitations and expectations that Voyager has faced. It feels experimental, quite removed from the broader third season attempts to position Voyager as the most generic of the Star Trek spin-offs. This does not look or feel like any other episode in the franchise’s history. Indeed, with its focus on family dynamics and conflict, it feels like an extension of Ronald D. Moore’s work on episodes like Family and Doctor Bashir, I Presume.
This makes the episode’s failure to follow through on any of that potential even more disappointing. The third season of Voyager has dramatically scaled down its ambition following the spectacular misfires of the second season. The show is no longer attempting to create long-form stories or introduce iconic new recurring alien species, instead setting more modest goals for itself. There is something disheartening in seeing Voyager set more modest challenges for itself in episodes like Macrocosm or Fair Trade, only to spectacularly bungle the handling of those challenges.

Family matters.
Real Life is another example of the trend. The premise is interesting, and the episode hits on any number of intriguing ideas. There is a great story to be told using this premise, exploring core themes about the human condition in a way that is quite different from the normal storytelling on Voyager. However, the episode flirts with the premise and then balks at it. Real Life is terrified of the implications of its story, padding out the plot with an unnecessary techno-babble-laden diversion and casually discarding the holographic family at the end of the script.
Real Life is an underwhelming story, rendered all the more disappointing for the promise that it squanders.

Photon father.
Filed under: Voyager | Tagged: conservatism, emh, family, real life, star trek, star trek: voyager, techno-babble | 18 Comments »


























