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The X-Files (Topps) #23 – Donor (Review)

This February and March, we’re taking a trip back in time to review the fourth season of The X-Files and the first season of Millennium.

Donor is the strongest of John Rozum’s work on The X-Files to this point. It might be his best work overall.

It is a story that very clearly and very strongly plays off the classic horror vibe that has been running through this stretch of episodes, taking the idea of supernatural revenge and poetic justice to almost blackly comic extremes. In many respects, John Rozum has pushed the comics towards a very traditional sort of moralistic storytelling – with characters frequently facing ironic consequences of their actions.

Organ grinder...

Organ grinder…

In The Silent Blade, a mass murderer kills himself with the blade that compelled him to kill. In The Kanashibari, a bunch of college kids who terrified an asthmatic classmate to death by locking him in a closet are themselves scared to death by a suffocating spectre. In Silver Lining, a killer murders innocent people to reclaim his good looks, only to lose them almost immediately in a fire while fleeing the FBI.

So Donor pushes this sort of storytelling to its logical extreme, as the resurrected body of Bruce Miller tries to reclaim the organs that his widow donated without his consent. Bruce Miller plans to take back what is rightfully his, harvesting various vital organs from recipients. Donor is a very dark little done-in-one story with a delightfully wry and cynical attitude that elevates it above many of its contemporaries.

"You have something that I need..."

“You have something that I need…”

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