To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.
Death Comes to Time originally broadcast on the BBC website in 2001.
I’m just another alien…
Alien to where?
Everywhere.
– the Doctor and Bedloe
There is quite a lot to like about Death Comes to Time. It offers a conclusion to Ace’s character arc. It features a stellar voice cast. Tannis is great villain. The script isn’t mired in continuity or slavishly devoted to the letter of the continuity of Doctor Who.
On the other hand, there’s quite a lot to loathe about Death Comes to Time. In moving away from Doctor Who continuity, it feels like a generic space opera. There’s a loss of the intimacy that defined the series. There’s a central revelation that makes no sense and a central moral philosophy which seems at odds with the very heart of Doctor Who. On top of that, it seems rather clumsily constructed. If it was intended as a pilot, the wrong characters are in focus for most of its not-insignificant runtime.
Hello, stonehenge!
Filed under: Television | Tagged: bbc, Colin Baker, Death Comes to Time, Dictators, doctor, DoctorWho, Kane, Parting of the Ways, paul mcgann, Peter Davison, russell t. davies, Salla, Sylvester McCoy, tardis, Time Lord, timelord, tony blair | Leave a comment »
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