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Star Trek – Is There in Truth No Beauty? (Review)

This July and August, we’re celebrating the release of Star Trek Beyond by taking a look back at the third season of the original Star Trek. Check back every Monday, Wednesday and Friday for the latest update.

The third season of Star Trek is very odd. It stands quite apart from the previous two seasons.

There are a lot of reasons for this; a new executive producer, the loss of veterans from the first two seasons, production limitations imposed by a slashed budget. Star Trek was never a lavish show, and it always faced production challenges, but those challenges were never more acute than during the third season. In a lot of cases, that oddness is not a good thing. And the Children Shall Lead and Spock’s Brain are very strange pieces of television, but not in a good way. They are clumsy, cheap, ill-judged and ill-advised.

Healthy green glow.

Healthy green glow.

At the same time, that strange vibe of the third season is not inherently bad. There are a number of episodes produced during the third season (particularly during this stretch of the third season) that feel weird and odd, but also refreshing and exciting. Episodes like Is There in Truth No Beauty?, The Empath and The Tholian Web have an eccentric and ethereal quality to them that feels quite removed from the first two seasons of the show. They are also three of the strongest episodes of the season, feeling adventurous and playful.

After all, for all that the third season is maligned, it is surprisingly influential. The third season of Star Trek contributes a great deal to the language and iconography of the franchise, perhaps as a result of the unusual constraints and production realities that inform it. Is There in Truth No Beauty? is an odd little tale, but it is also a clever and effective metaphor that explores grand ideas in the classic Star Trek tradition.

Jonesing for for some Diane Muldaur.

Jonesing for for some Diane Muldaur.

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