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The X-Files – The Red and the Black (Review)

This May and June, we’re taking a trip back in time to review the fifth season of The X-Files and the second season of Millennium.

“Before the exploration of space, of the moon and the planets, man hailed that the heavens were the home and province of powerful gods who controlled not just the vast firmament, but the earthly fate of man himself and that the pantheon of powerful, warring deities, was the cause and reason for the human condition, for the past and the future, and for which great monuments would be created on earth as in heaven. But in time man replaced these gods with new gods and new religions that provided no more certain or greater answers than those worshipped by his Greek or Roman or Egyptian ancestors. And while we’ve chosen now our monolithic and benevolent gods and found our certainties in science, believers all, we wait for a sign, a revelation. Our eyes turn skyward ready to accept the truly incredible to find our destiny written in the stars.”

Lift me up...

Lift me up…

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The X-Files – End Game (Review)

This August (and a little of September), we’re taking a trip back in time to review the second season of The X-Files. In November, we’ll be looking at the third season. And maybe more.

Towards the end of End Game, Mulder stumbles across a nuclear submarine that was attacked in the episode’s teaser. The craft was disabled by a strange craft it picked up in the ocean. Now, following a mysterious alien figure across the world in a quest to find his sister, Mulder approaches the location of the lost American submarine. As he does, he notices the submarine’s coning tower, bursting through the ice.

It’s one of those beautifully iconic television moments. It’s an image that is audacious and stunning and beautiful and breathtaking. It immediately gives End Game (and Colony) a sense of scale. All of a sudden, this isn’t just a bunch of stuff happening under the radar in some small town somewhere. This is the hijacking of a nuclear submarine by a hostile entity. This is Mulder going to the ends of the Earth to get his sister back.

Not so green any longer...

Not so green any longer…

It’s also worth noting that the symbolism is beautiful. Even looking at a picture of Mulder on the ice conjures up all manner of associations. Coupled with the non-linear storytelling employed by Colony and End Game, it calls Frankenstein to mind – Frankenstein serving as a massively influential text on Chris Carter. However, the idea of Mulder finding important existential answers on an Arctic soundstage also evokes Clark Kent’s self-discovery in Richard Donner’s Superman films, playing into the sense that this is an episode framed in cinematic terms.

The rest of the episode could just be dead air, and End Game would still work impressively well. However, End Game remains a fantastic piece of work in its own right, effectively codifying how a two-parter is meant to work.

The truth is out there...

The truth is out there…

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