I think it’s safe to say that George Bernard Shaw’s Pygmalion has had quite the impact on popular culture. Even those unfamiliar with the original 1912 play written by the great Irish playwright will know the basic structure of the story, filtered down through countless reruns of My Fair Lady and She’s All That. It’s hard to argue that anything in Shaw’s impressive back catalogue is quite as crowd-pleasing, but never at the expense of being sharp and provocative. The fact that it’s turning out to be next-to-impossible to get a seat at the Abbey’s run of the play indicates that the work has lost none of its appeal.
Doolittle doctored?
Filed under: Theatre | Tagged: abbey, abbey theatre, Basil Fawlty, charlie murphy, dublin, eliza doolittle, george bernard shaw, Henry Sweet, John Cleese, monty python, professor higgins, pygmalion, review, Risteárd Cooper, the abbey theatre, theatre review | Leave a comment »
the m0vie blog 