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Star Trek: Voyager – Cathexis (Review)

This September and October, we’re taking a look at the jam-packed 1994 to 1995 season of Star Trek, including Star Trek: Deep Space Nine and Star Trek: Voyager. Check back daily for the latest review.

Cathexis has a vaguely interesting premise, but it gets a little bit too caught up in science-fiction high concepts and New Age mysticism.

Once again, there’s a sense that the wrong writer has been assigned the wrong brief. The New Age spirituality elements of Chakotay’s character were largely championed by Michael Piller; the “romantic period mystery” story for Janeway clearly comes from Jeri Taylor. The only part of Cathexis that clearly comes from credited writer Brannon Braga is the somewhat generic Invasion of the Body Snatchers plot line – and, as such, it seems to be the only thread in which Braga is particularly interested.

So we get a bunch of half-hearted New Age stuff unfolding, with Chakotay’s wandering spirit represented by a camera with a blurry filter swooping through familiar sets. Once again, Chakotay’s Native American heritage becomes a launching pad for some ill-advised mysticism and exoticism, which Cathexis never even bothers trying to explain.

Frankly, I'm surprised Tuvok put up with this for so long...

Frankly, I’m surprised Tuvok put up with this for so long…

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Star Trek: Voyager – Emanations (Review)

This September and October, we’re taking a look at the jam-packed 1994 to 1995 season of Star Trek, including Star Trek: Deep Space Nine and Star Trek: Voyager. Check back daily for the latest review.

Emanations has a pretty effective set-up and solid premise. It is very clearly one of Star Trek: Voyager‘s “planet of the week” stories – like the show directly before it and the show directly following it – but it’s build around some vaguely interesting ideas. It’s very clearly an episode designed to function as social commentary in the grand Star Trek tradition, hitting on big ideas and bold concepts.

Unfortunately, it’s not the type of script that Brannon Braga is best suited to handle. It doesn’t feel so much an exploration of an important issue as a social treatise. It’s simplistic and heavy-handed while dealing with ideas that require a bit of nuance and sophistication. It feels under-developed, contrived and a little shallow. Despite an attempt at ambiguity in its closing scene, it feels like an episode driven primarily by an agenda rather than a strong story.

Emanations is a misfire, another example of the weird tendency in the first season of Voyager to assign the wrong writers to the wrong scripts.

Harry really got wrapped up in local culture...

Harry really got wrapped up in local culture…

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Star Trek: Voyager – The Cloud (Review)

This September and October, we’re taking a look at the jam-packed 1994 to 1995 season of Star Trek, including Star Trek: Deep Space Nine and Star Trek: Voyager. Check back daily for the latest review.

The Cloud feels more like a first season episode than Time and Again and Phage did. Star Trek: Voyager has ploughed fairly effectively into its first season, primarily by treating it as the eighth season of Star Trek: The Next Generation. However, the first season has been falling into a regular pattern so fast that pausing for forty-five minutes to do some awkward and ill-defined character work doesn’t feel like a bad idea.

The Cloud is an awkwardly constructed piece of television that feels like it’s interested in building up this ensemble. As such, the pacing suffers, and the episode makes a number of awkward mistakes along the way, but it still feels like it is at least trying to do something worthwhile.

Shaking things up around here...

Shaking things up around here…

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