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Star Trek: Deep Space Nine – Profit and Loss (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first and second seasons. Check back daily for the latest review or retrospective.

It seems we’ve reached the point where Star Trek: Deep Space Nine has figured out a base level of quality, an “average” zone that it can pitch to without too much effort or breaking a sweat. We’ve had three episodes in a row now that haven’t been brilliant, but have been far from terrible. Solid, watchable stuff. That might sound like damning with faint praise, but it took Star Trek: The Next Generation longer to find that base level of quality, while Star Trek: Voyager settled into a zone where that “average” was a lot lower.

Profit and Loss is unlikely to be anybody’s favourite episode, but it remains thoroughly unobjectionable. It features the cast playing their roles reasonably well, some hints at world-building and even a guest spot for Garak. Nobody will really remember Profit and Loss as a brilliant piece of television after completing a lengthy Deep Space Nine rewatch, but they also won’t curse its name. It’ll simply be an episode in the middle-to-end section of the second season that wasn’t too bad and wasn’t too great.

Love him and leave him...

Love him and leave him…

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Star Trek: Deep Space Nine – Duet (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first season. Check back daily for the latest review or retrospective.

And here we hit the first truly classic episode of Star Trek: Deep Space Nine. Positioned almost at the very end of what has been a fairly uneven season of television, Duet firmly demonstrates that this spin-off can hold its head tall among the other franchise installments. Duet isn’t just a quintessential Deep Space Nine episode. It isn’t just a classic Star Trek episode. It is an absolutely beautiful piece of allegory, a stunning character study and a probing exploration of collective guilt and responsibility.

J'accuse...

J’accuse…

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Star Trek: Terok Nor – Day of the Vipers by James Swallow (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first season. Check back daily for the latest review or retrospective.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

Star Trek: Deep Space Nine comes with back story. A lot of back story. In fact, the opening scene of Emissary establishes the show in the context of The Best of Both Worlds, Part II, introducing a lead character whose tragic origin is rooted in an encounter that we had only fleetingly glimpse in Star Trek: The Next Generation. Due to the setting and nature of the show, history and continuity were major parts of Deep Space Nine‘s identity, and a large part of what set the show apart from its predecessors. (And successors, for that matter.)

Although the Klingons would dominate the show’s fourth season and remain a presence throughout the show’s run, and the Romulans might occasionally be glimpsed lurking in the back ground, the series largely focused on two alien races that had been introduced in The Next Generation. The Cardassians had been introduced in the show’s fourth season, in The Wounded, and the Bajorans first appeared during the fifth season in Ensign Ro.

Officially part of The Lost Era series of novels designed to flesh out the history of the shared Star Trek universe, the Terok Nor trilogy exists as a bridge into Emissary, something of an extended history lesson that contextualises the events of Deep Space Nine by providing an account of the Occupation of Bajor, an atrocity that only ended shortly before Emissary actually began.

teroknordayofthevipers1

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