This October/November, we’re taking a trip back in time to review the eighth season of The X-Files and the first (and only) season of The Lone Gunmen.
In the late nineteenth century, tango reigned not only in brothels and dance halls, where it served as both simulation and stimulation to entertain the men waiting their turn for commercial sex, but also in dance academies, vacant lots, and barrio streets where improvised dances were performed to the tune of the hurdy-gurdy. It was also played in men-only cafés. In these original settings, tango lyrics were very simple and mainly focused on the joys and pains of the arrabales, where the cult of courage and the skilful use of knives were combined with the workings of local political bosses and the police. The main characters were guapos, or tough guys; prostitutes; pimps; and compadritos, men who imitated the tough style of pimps and guapos yet most of the time worked for a living.
Tango was danced by men and women in pairs but also by men alone as they waited their turn in the brothels. It was, above all, a dance of the margins.
– Diego Armus, The Ailing City
Filed under: The Lone Gunmen | Tagged: army, bryan spicer, Lone Gunmen, loneliness, miami, tango, tango de los pistoleros, the lone gunmen, thomas schnauz, United States, weapons | 4 Comments »