To celebrate the release of The Wolverine later in the month, we’re taking a look at some classic X-Men and Wolverine comics every Monday, Wednesday and Friday here. I’m also writing a series of reviews of the classic X-Men television show at comicbuzz every weekday, so feel free to check those out.
A lot of the recent big Marvel events, stretching from Brian Michael Bendis’ Avengers Disassembled through to at least Avengers vs. X-Men, can be read as commentaries on post-9/11 America. In particular, they focus on questions the relationship between the power and trust held by various authorities, and how those are earned or abused. Perhaps Civil War was the most overt of these, with the conflict in the comic coming down to the clash between the demands of liberty and security.
So, I suppose, at least Marc Guggenheim’s Wolverine tie-in to the event is explicit about what it’s trying to do. It’s any even more explicit 9/11 parable, casting the famous mutant as an investigator looking for his own kind of justice in the wake of a horrifying terror attack.
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