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Star Trek: Mirror Universe – The Sorrows of Empire by David Mack (Review)

The first Star Trek pilot, The Cage, was produced in 1964. To celebrate its fiftieth anniversary, this December we are reviewing the second season of the original Star Trek show. You can check out our first season reviews here. Check back daily for the latest review.

There is a fairly significant lacuna in the internal chronology of the Star Trek universe, between the opening scene of Star Trek: Generations and Encounter at Farpoint. It is a fairly significant void that has only fleetingly been explored in various novels and comic books – most notably in Pocket Books’ intriguing Lost Era series. However, the lack of interest in this period is understandable. Not too much had changed between the end of Star Trek VI: The Undiscovered Country and the start of Star Trek: The Next Generation. Starfleet was still Starfleet, the Enterprise was still a ship of exploration.

In contrast, much more happened between the last act of Mirror, Mirror and the teaser of Crossover. The Terran Empire had collapsed in on itself, replaced by a hostile alliance of Klingons and Cardassians. Humans were no longer masters of their domain, instead forced to exist as slaves or mercenaries or rebels. The universe of Mirror, Mirror had been brutal, but ordered; the world of Crossover was brutal and chaotic. Everything had changed in a rather fundamental way. An empire had died, the enemy had stormed the gates. Everything was wrong.

With The Sorrows of Empire, author David Mack begins a project to impose a clear structure on the mirror universe. Mack’s objective is essentially to stitch together a host of divergent (and perhaps even contradictory) continuity into a singular unifying narrative. The Sorrows of Empire was first published as a novella in the Glass Empires collection. However, his attempt to knit together the mirror universe as featured on the original show, Star Trek: Deep Space Nine and Star Trek: Enterprise was quickly expanded into its own full-length novel.

Indeed, having tied those various threads together, Mack would then try to resolve them all, writing Rise Like Lions to help stitch The Soul Key into his tapestry while resolving a long-dangling piece of Star Trek continuity. The Sorrows of Empire is a fascinating read, and Herculean effort. Mack shares the same knack for blending continuity with narrative as writers like Keith R.A. DeCandido or Christopher L. Bennett. However, The Sorrow of Empires struggles to get around the fact that it is trying desperately to put together a jigsaw from mismatched pieces that were never meant to be combined.

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Star Trek: Deep Space Nine – The Soul Key by Olivia Woods (Review)

This September and October, we’re taking a look at the jam-packed 1994 to 1995 season of Star Trek, including Star Trek: Deep Space Nine and Star Trek: Voyager. Check back daily for the latest review.

The Soul Key would wind up being the last novel published as part of the Deep Space Nine relaunch.

The Soul Key was published in July 2009. The next month, Una McCormack’s wonderful The Never-Ending Sacrifice would be published. However, McCormack’s novel was very written outside the relaunch, running as a companion to the series and unfolding in the immediate aftermath. After that, the Deep Space Nine book line found itself folded into various crossovers, like Typhon Pact and The Fall. There was a sense that the line was drifting away from Deep Space Nine and being recontextualised in Pocket Books’ larger Star Trek series.

The Soul Key picks up where Fearful Symmetry left off, following Kira, mirror!Iliana and Vaughn as they venture into the mirror universe in pursuit of the crazed Iliana Ghemor.

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