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The X-Files – Babylon (Review)

This June, we’re going to be taking a look at the current run of The X-Files, beginning with the IDW comic book revival and perhaps taking some detours along the way. Check back daily for the latest review.

There are two schools of thought on Babylon.

The first school of thought is that the episode is quintessentially X-Files. It is Chris Carter taking advantage of the flexibility of the show’s form to produce an episode of television that looks utterly unlike anything else on television. This is the series at its most creative and its most gonzo, the free-spirited free association that powered early Carter episodes like Syzygy, The Post-Modern Prometheus, Triangle, Fight Club, First Person Shooter and Improbable. It is crazy and “out there”, but… well, so is the truth.

Party on, Mulder.

Party on, Mulder.

The second school of thought is that the episode is spectacularly and recklessly ill-judged. Although undoubtedly well-intentioned, Chris Carter produces a script that is deeply problematic and even potentially inflammatory. Given that so much of the script hinges on the idea that thoughts have “mass” and that ideas can be dangerous, the resulting episode is definitely clumsy and borderline reckless in its exploration of a sensitive issue. This is just as problematic as “classic” episodes like Teso Dos Bichos, Teliko or Badlaa.

Both of these things can be true.

"... I just don't think it'll understand..."

“… I just don’t think it’ll understand…”

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The X-Files – Home Again (Review)

This June, we’re going to be taking a look at the current run of The X-Files, beginning with the IDW comic book revival and perhaps taking some detours along the way. Check back daily for the latest review.

If Mulder and Scully Meet the Were-Monster demonstrates the strengths of this six-episode miniseries format, then Home Again makes a case for the weaknesses.

Home Again is not a bad episode of itself. However, it does suffer from two glaring weaknesses of the revival format. The most obvious is that the revival is only six episodes long, which means that everything is truncated and reduced. This was quite clear in My Struggle I, which was essentially a mythology two- or three-parter with all the non-exposition bits cut out. However, it is also clear with Home Again, which feels like two great episodes that have been combined to form one good episode.

"This one has a monster in it."

“This one has a monster in it.”

Glen Morgan is also the weakest director of the four directors working on the revival miniseries. Morgan is a phenomenal writer, but he lacks the stylistic flourish of Chris Carter or the dynamism of James Wong. He does not tailor the script for Home Again to suit his directorial sensibilities in the way that Darin Morgan does with his scripts for Jose Chung’s “Doomsday Defense” or Somehow, Satan Got Behind Me. Morgan is a good director, but one of the most under-appreciated ingredients of The X-Files was its murderer’s row of great television directors.

As a result, Home Again is an episode that is much stronger on paper than it is on camera.

"Mulder and Scully, FBI."

“Mulder and Scully, FBI.”

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The X-Files – Mulder and Scully Meet the Were-Monster (Review)

This June, we’re going to be taking a look at the current run of The X-Files, beginning with the IDW comic book revival and perhaps taking some detours along the way. Check back daily for the latest review.

We’ve been given another case, Mulder.

It has a monster in it.

Total eclipse of the heart.

Total eclipse of the heart.

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The X-Files – Founder’s Mutation (Review)

This June, we’re going to be taking a look at the current run of The X-Files, beginning with the IDW comic book revival and perhaps taking some detours along the way. Check back daily for the latest review.

In technical and aesthetic terms, Founder’s Mutation is the most modern of the six episodes to air as part of the revival miniseries.

To be fair, the other episodes in the miniseries do embrace the twenty-first century in their own unique ways. My Struggle I and My Struggle II update the mythology for the new millennium. Mulder and Scully Meet the Were-Monster deals with themes that resonate particularly strongly now that Mulder and Scully are in their middle age. Babylon is a sincere (if misguided) attempt to engage with the current political climate. However, those episodes are decidedly old-fashioned in how they choose to tell their stories.

Title drop.

Title drop.

There are little nods towards contemporary technology in the other five episodes. Mulder’s inability to work his phone is something of a running joke, whether in his failure to snap a picture of Guy Mann in Mulder and Scully Meet the Were-Monster or his inability to turn off his “find my phone” app in My Struggle II. Carter is justifiably proud of how My Struggle II incorporates cutting edge pseudo-science. However, none of those stories integrate new technology and new ideas as smoothly as Founder’s Mutation.

However, it isn’t just the use of technology that marks Founder’s Mutation out as the most modern of the six episodes. The episode’s storytelling and style are noticeably more contemporary than the episodes around it. Founder’s Mutation tells its story in a way that feels very much in step with the television landscape around it. More than the other five episodes in the miniseries, Founder’s Mutation feels like an episode of twenty-first century television.

Can you hear me at all?

Can you hear me at all?

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The X-Files – My Struggle I (Review)

This June, we’re going to be taking a look at the current run of The X-Files, beginning with the IDW comic book revival and perhaps taking some detours along the way. Check back daily for the latest review.

This is journey that began for me – I’m sorry if I get emotional – twenty-three years ago. Things just don’t last in culture, these days. They… culture gobbles them up and they go away. It’s… it’s rare when something sticks around. Thanks for being part of the journey. The idea is that this is not the end. This is maybe a new beginning. And maybe we’ll do more of these if we do a really good job.

– Chris Carter’s opening remarks at the first production meeting on My Struggle I

The truth is still out there...

The truth is still out there…

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The X-Files (IDW) Christmas Special 2015 (Review)

This June, we’re going to be taking a look at the current run of The X-Files, beginning with the IDW comic book revival and perhaps taking some detours along the way. Check back daily for the latest review.

Nothing gives a better sense of how compressed The X-Files: Season 11 is than the decision to incorporate The X-Files Christmas Special 2015 into the larger arc of the season, as a bridge between Mulder’s capture at the end of Home Again, his detention in My Name is Gibson, and his adventuring with Scully in Endgames. Although it might be possible for readers to smoothly jump from the climax of My Name is Gibson into the high-stakes action of Endgames, the events of The X-Files Christmas Special 2015 smooth the transition.

Arriving late in the run of The X-Files: Season 10, The X-Files Christmas Special 2014 felt almost like an “out of continuity” adventure that found the cast sharing the holiday season together in the apartment of Walter Skinner. The festive levity provided a nice contrast to the trauma regularly inflicted upon these characters, providing a much lighter story in the spirit of the season. In contrast, The X-Files Christmas Special 2015 struggles to balance the lighter tone expected of a Christmas special with the demands of the larger arc.

Merry Christmas.

Merry Christmas.

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The X-Files: Season 11 (IDW) #5 – My Name is Gibson (Review)

This June, we’re going to be taking a look at the current run of The X-Files, beginning with the IDW comic book revival and perhaps taking some detours along the way. Check back daily for the latest review.

It feels like Season 11 was barely getting started before it started winding down.

There is a leanness to Season 11, as if the eight-issue series exists primarily to wrap up all the loose ends spinning out of Elders so the series can be rebooted and relaunched in keeping with the new continuity established by My Struggle I. The new status quo set up in Cantus was striking. While the premise owed a lot to the set-up of Nothing Important Happened Today I and Nothing Important Happened Today II, putting Mulder on the run as a roving one-man freelance X-files division evoked The X-Files by way of Kung-Fu or The Incredible Hulk.

Bewitching.

Bewitching.

In some ways, the set-up felt like a striking homage to seventies pop culture. The wandering hero is a staple of pop culture in general, but American pop culture in particular. In the sixties, it was The Fugitive. In the eighties, it was The A-Team. Nevertheless, the set-up evokes the mood and feeling of the seventies, of a nation lost and discovering itself in the wake of Watergate and Vietnam. Setting Mulder on that particular course was a very clever story hook. The X-Files owes a lot to seventies film and television, so this set-up felt strangely appropriate.

With that in mind, it feels somewhat disappointing that the new status quo comes to a close so quickly. At the end of Home Again, Mulder is taken into custody as a fugitive. With My Name is Gibson, Joe Harris begins aligning the pieces for the climax of his three-year run on Season 10 and Season 11. It seems like Season 11 is over before it has started, which seems quite disappointing given all of the promise on display.

Chess master.

Chess master.

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The X-Files: Season 11 (IDW) #2-4 – Home Again (Review)

This June, we’re going to be taking a look at the current run of The X-Files, beginning with the IDW comic book revival and perhaps taking some detours along the way. Check back daily for the latest review.

Home Again is perhaps a great example of the overlap that existed between IDW’s monthly comic series and the revival miniseries.

News that Mulder and Scully were coming back to prime time television broke in March 2015, just as writer Joe Harris was wrapping up work on his Elders arc and bringing The X-Files: Season 10 to a close. While most of The X-Files: Season 10 had unfolded as a live action revival was in a state of limbo, things had solidified by the time that The X-Files: Season 11 was announced. If Season 10 was haunted by the possibility that a live action revival might usurp its claim to legitimacy, then Season 11 was overshadowed by the certainty of that same prospect.

Mama's home...

Mama’s home…

However, both the revival and the comic book series seem to exist trapped within a weird dialogue with one another. To be fair, this was apparent even in the context of Season 10. The use of Gibson Praise as the primary antagonist of the comic book was forced by Chris Carter’s desire to “save” William for use in the revival miniseries. It seems likely that the Cigarette-Smoking Man’s absence from (and perhaps even the Lone Gunmen’s continued presence in) Season 11 speaks to similar logistical concerns.

Nevertheless, Home Again provides a wry point of intersection between the comic book series and the revival miniseries. It is, after all, a title shared between both.

Burying the past...

Burying the past…

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The X-Files: Season 11 (IDW) #1 – Cantus (Review)

This June, we’re going to be taking a look at the current run of The X-Files, beginning with the IDW comic book revival and perhaps taking some detours along the way. Check back daily for the latest review.

The X-Files: Season 11 is a truncated season, in more than one way.

While The X-Files: Season 10 ran for twenty-five issues with two annuals, a Christmas special and three tie-in miniseries, The X-Files: Season 11 is a more modest affair. The monthly series runs for eight issues, although there is a single Christmas special thrown in for good measure. More than that, there is a very clear condensed quality to the narrative. It feels like writer Joe Harris, along with artist Matthew Dow Smith and colourist Jordie Bellaire, are racing frantically towards the finish line.

See no evil.

See no evil.

This makes a certain amount of sense. After all, The X-Files: Season 11 was not the only big news to hit the fandom in February or March 2015. The creative team had done good work reviving the nineties science-fiction franchise, but news of a fresh season of X-Files comic books was always going to pale in comparison to news that Fox had managed to bring back Chris Carter along with Gillian Anderson and David Duchovny for a six-episode miniseries to air less than one year later.

The X-Files: Season 11 was always going to exist in the shadow of the louder and showier revival. In some respects, the entire eight-issue series feels like a frantic attempt to wrap up all the dangling threads set up in that initial run. It feels very much like the publisher getting its house in orders before that classic theme music plays on prime-time once again. The X-Files: Season 11 is a somewhat modest affair. Although that modesty is somewhat endearing.

On the road again.

On the road again.

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The X-Files: Season 10 (IDW) (Review)

This June, we’re going to be taking a look at the current run of The X-Files, beginning with the IDW comic book revival and perhaps taking some detours along the way. Check back daily for the latest review.

The X-Files: Season 10 is something of a mixed bag.

A significant portion of that is down to changes that took place in the background over the comic’s life cycle. When IDW first announced the series, The X-Files was largely considered to be a dead franchise with no viable future. By the time that the first arc (Believers) had wrapped up in October 2013, there were already murmurings about bringing the series back in one form or another. By the time that the second mythology arc (Pilgrims) was kicking off in April 2014, Chris Carter was already meeting with Glen Morgan to hammer it out.

xfiles-pilgrims55

By the time that the comic’s final arc (Elders) wrapped up in July 2015, the entire world had known for months that The X-Files would be coming back to television. This knowledge deflated the comic book relaunch somewhat. The X-Files: Season 10 had been launched with a “co-writer” credit for Chris Carter on the first five issues; he was afforded an “executive producer” credit on most of the rest of the line. What had been positioned as a semi-official continuation of the adventures of Mulder and Scully was swiftly reduced to a historical curiosity.

However, these developments affected more than just the perception of the series. When the comic launched, it was very much the only game in town. By the end of his first arc, Joe Harris was already forced to make concessions to the possible return of The X-Files in film and television. A lot of the mythology set up in Believers was hastily abandoned and brushed aside, with the characters even acknowledging as much in Monica & John. This put The X-Files: Season 10 at something of a disadvantage, with the sense the mythology was being rewritten on the fly.

xfiles-elders

In a way, it felt like a lot of The X-Files: Season 10 was driven by a recurring conversation about its own validity and legitimacy. In More Musings of a Cigarette-Smoking Man, the eponymous character tries to piece together his own fractured continuity. In Pilgrims, a clone of Alex Krycek fought desperately to assert his individuality. In Monica & John, Monica Reyes lamented being abandoned and “forgotten.” In Elders, the clones of the conspirators lament the warping of their organisation into something grotesque.

While there was something suitably clever and postmodern to all of this, there was a sense that The X-Files: Season 10 was suffocating in nostalgia and continuity. Of the twenty-five issues published, only one (Chitter) was a completely original story that did not serve the return of a familiar premise or a meditation on some past point of continuity. The classic mythology dominated the series, but even many of the standalone stories played as continuity-filling “origin stories” for classic characters and concepts.

Missing in action...

Fluke Man got a very X-Files origin story in Hosts. Mister X got a very generic origin story in Being for the Benefit of Mister X. The Cigarette-Smoking Man explored his history in More Musings of a Cigarette-Smoking Man. Even the classic “I Want to Believe” poster got an origin story in G-23. This is to say nothing of the fact that Hosts and More Musings of a Cigarette-Smoking Man were explicitly sequels to The Host and Musings of a Cigarette-Smoking Man. At a macro story level, The X-Files: Season 10 often felt like an exercise in nostalgia.

Which is a shame, because it really feels like writer Joe Harris has a firm grip on The X-Files. The writer has a good handling on most his characters, particularly Mulder’s sarcastic and the tragedy of the Cigarette-Smoking Man. He understands the core themes underpinning the series and even finds a way to make those themes feel contemporary in stories like Chitter and Immaculate. However, the comic feels somewhat hobbled by its insistence on keeping the mythology running. The series has its eye on the past more than the future.

xfiles-immaculate27

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