This May and June, we’re taking a trip back in time to review the fifth season of The X-Files and the second season of Millennium.
The second season of Millennium is understandably polarising.
It is returned from its summer hiatus as what was, on the surface, a radically different television show. The Millennium Group was no longer simply a forensic consultancy firm, but had transformed into a secret society dating back millennia; it had become, as Frank would concede in The Fourth Horseman, “a cult.” More than that, the show had changed around the Millennium Group. Serial killers had been the show’s bread and butter in its first season, prompting some critics to describe it as a “serial killer of the week” procedural; now they were a rare occurrence.
More than that, Frank Black had also changed. In interviews around the first season, Lance Henriksen had been very proud to play a hero who solved problems with his mind rather than with a gun. In contrast, the second season opened with Frank Black brutally murdering the man who kidnapped his wife. The yellow house had been a symbol of everything pure and good in the world of Frank Black, of the family he worked hard to protect. The second season had exiled Frank Black from this family and had him move deeper and deeper into the Millennium Group itself.
However, there were other changes that were less profound, but just as striking. Frank Black was suddenly a fan of the music of Bobby Darin. He suddenly had a sense of humour that led him to crack more than two jokes in a season. at the same time, he was also more short-tempered and grouchy. The first season had presented Frank Black as a rock in the middle of otherwise chaotic seas; in the second season, it was clear that Frank himself was feeling the strain and the stress. In short, Frank Black felt a lot more human.
The entire mood of the show changed around Frank. Millennium was suddenly a lot weirder. Though the first season had largely moved away from the classic “Frank hunts a serial killer” formula by the end of the year, the second season abandoned any sense of formula altogether. Watching the second season of Millennium on a week-to-week basis, it was almost impossible to predict what the next show would be like. Although there was a very strong thematic continuity between episodes, there was less of a rigid structure to their construction.
The second season of Millennium was a radical departure from what had come before. It was also the best season of television ever produced by Ten Thirteen.
Filed under: Millennium | Tagged: chris carter, conspiracy, Darin Morgan, evil, frank black, Glen Morgan, James Wong, lara means, millennium, peter watts | 6 Comments »
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