We’re launching a new column at The Escapist, called Out of Focus. It will publish every second Wednesday, and the plan is to use it to look at some film and television that would maybe fall outside the remit of In the Frame, more marginal titles or objects of cult interest. We kicked off the column with a look at The Menu, Mark Mylod’s black comedy.
The Menu has been framed of something an “eat the rich” satire, a companion piece to films like Glass Onion or Triangle of Sadness. However, that perhaps misses the intricacies of what The Menu is doing. The movie is not so much an example of the trend as it is a movie about the trend. In particular, it plays as a commentary on the extremely privileged individuals who make large sums of money producing art about how awful the superrich truly are, and whether that art can ever be truly insightful or engaging. It’s an exploration of how these stories work, where they come from, and the artists who make them.
You can read the piece here, or click the picture below.
Filed under: Movies | Tagged: adam mckay, mark mylod, out of focus, ralph fiennes, the escapist, the menu |
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