I published a new In the Frame piece at The Escapist this evening. With the twentieth anniversary of Shrek, it seems like a reasonable opportunity to take a look back at the film and its sizable pop culture legacy.
Shrek emerged at the turn of the millennium as a response to the kind of animation that had dominated American cinema during the nineties. In contrast to the calculated earnestness and sincerity of the Disney Renaissance, and its many imitators, Shrek‘s irony and cynicism felt like a breathe of fresh air. It was a film that didn’t take itself too seriously, indulging in knowing jokes and winking references. It was a bold counter-cultural statement that nobody expected to succeed. However, it did succeed, and ironically became one of the defining films of the twenty-first century.
You can read the piece here, or click the picture below.
Filed under: On Second Thought | Tagged: animation, dreamworks, irony, legacy, pop culture, self-awareness, shrek |
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