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Star Trek – The City on the Edge of Forever (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

The City on the Edge of Forever stands as both on of the most troubled episodes of Star Trek ever produced, and one of the most brilliant. It’s a powerful science-fiction romance, cleverly constructed and smoothly executed. Everything in the episode seems to working smoothly, which seems all the more improbable given the difficulties occurring behind the scenes. Harlan Ellison’s teleplay differs significantly from the finished product, but it’s very hard to argue that the televised episode isn’t among the finest Star Trek stories ever produced.

The hole in things...

The hole in things…

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Star Trek – The City on the Edge of Forever by Harlan Ellison/Cordwainer Bird (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

The City on the Edge of Forever had a troubled history, not that you’d know it based on what appeared on screen. Like quite a few classic Star Trek episodes (The Enemy Within, The Doomsday Machine, Amok Time), it was developed from a script written by a giant of science-fiction. Harlan Ellison is a respected author with a considerable reputation. However, the version of The City on the Edge of Forever which eventually made it to screen at the end of the show’s first season is radically different from the version Ellison original wrote. “It’s not the vision I had,” Ellison quotes at the start of the paperback edition of his original screenplay, released in 1996.

The book is a fantastic read, and well worth a look for anybody with any interest in Star Trek or Ellison, or even good science-fiction or the craft of television writing. Reading the various drafts, there’s no denying that it is a phenomenal script, as good as the script that eventually went into production. At the same time, it’s also quite clear that it would not have made for as classic a Star Trek episode.

Into the vortex...

Into the vortex…

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Star Trek – The Menagerie, Part II (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

I will admit that I am sceptical of Gene Roddenberry as a writer. There’s no denying that Roddenberry was a fantastic ideas man. After all, his concepts and characters have stood the test of time. Without Roddenberry, there would be none of the Star Trek that we all love so dearly. As such, I feel a little guilty when I criticise his writing, or when I argue that his influence on the early years of Star Trek: The Next Generation held the show back from greatness. (I’d suggest that it was only when Roddenberry’s involvement was minimised, and the writers were allowed to add shading to his futuristic utopia that The Next Generation truly came into its own.)

Still, Roddenberry was always an excellent salesman, and his script for The Menagerie brings out that quality in abundance. The Menagerie is effectively an excuse for why the show ran out of original scripts half-way through its first year, and Roddenberry might not make the most convincing argument, but he still makes it compelling.

Watching Star Trek on Star Trek...

Watching Star Trek on Star Trek…

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Star Trek – Mudd’s Women (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

I think it’s fair to say that Star Trek had some gender issues. I say that as a fan of the show, and as a person with an immense fondness for the ensemble. It’s tempting to write off those sexist moments and decisions as attitudes that were socially acceptable at the time. After all, the sixties are almost half a lifetime away at this point. However, that doesn’t account for the fact that many of the same gender issues plagued Star Trek: The Next Generation in the late eighties, which lost two of its three female leads in its first season, and opened its second year by subjecting the remaining female lead to The Child.

Even disregarding that, though, there comes a point where even the time when a work was produced can’t excuse certain attitudes or approaches. Star Trek doesn’t feature too many strong female characters, relegating recurring female characters like Uhura and Janice Rand to the background. This is dodgy enough, but the show’s problems with gender become a lot more obvious when a show throws sexuality into focus. Mudd’s Women is such a show. It famously introduced one of the few recurring non-crewmember characters, and it plays into the “Star Trek as space western” theme, but it is also very sexist. Very, very sexist.

Mudd-ying the waters...

Mudd-ying the waters…

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Star Trek – The Cage (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

The Cage is fascinating. Looking at it now, it holds up phenomenally well a s apiece of sixties science-fiction. However, it feels like we’re watching a prototype of Star Trek. In many respects, The Cage feels like a rough sketch that captures some essentials, but is missing out on the finer details. Spock is there! But he smiles! The set design looks the same, but the characters are different. Some of the cast fill the same roles, but some are dramatically different. Watching The Cage, you can see a lot of the philosophy that Gene Roddenberry would bring to Star Trek, but it’s very difficult to imagine an on-going series spinning out of this adventure, let alone one that managed to become as iconic or influential as Star Trek would ever be.

Still, it’s pretty solid viewing. It’s entertaining on its own terms, but it’s also informative in the context of the series. It’s more like dry run or a test drive of the concept.

To boldly go... for some reworking...

To boldly go… for some reworking…

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