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Star Trek – The Return of the Archons (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

It is really hard to believe that this is the first time we’ve really had one of these plots, with the Enterprise visiting an alien civilisation, meddling thoroughly and freeing the population from oppression. Of course, that’s probably because the universe seemed so vast an empty in the first few episodes. The only planets seemed to be either lifeless rocks or human colonies. From this point on, the galaxy is going to seem a whole lot busier.

Return of the Archons is a little bit like an expansion of the archetypal Star Trek plot established in What Are Little Girls Made Of? The Enterprise visits an alien world following up on the disappearance of Federation personnel. When they arrive, they discover sinister plans afoot involving evil artificial intelligences that plan on stomping out free will. Kirk promptly uses his humanity to talk the machines into destroying himself.

However, Return of the Archons deals with a whole civilisation trapped in the midst of this sinister robotic plot. Kirk and his crew aren’t strolling through an alien graveyard. This is a living, breathing society. And this is the first time that Kirk would save an entire civilisation.

Some men just want to watch the world burn...

Some men just want to watch the world burn…

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Star Trek – The Alternative Factor (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

Well, here we are. The Alternative Factor. We’ve had weak episodes before. I’ll concede that shows like Court Martial and The Menagerie, Part II wouldn’t rank among my favourites of the season. However, there was always just enough there to make them interesting, if not compelling. There were good ideas, clumsily executed. There was something value to be found in watching these episodes. The Alternative Factor lacks those sorts of redemptive values, and it’s the first time on this re-watch I have actually wondered where my fifty minutes went, and lamented the fact that watching The Alternative Factor inched me ever-closer to death.

The Alternative Factor is – I’d argue – the weakest episode of a remarkably strong first season of Star Trek. While some would consider it one of the worst episodes the show ever produced, I’m reluctant to commit to that sort of certainty. After all, we still have the third season to come, and I’m hesitant to rank The Alternative Factor as that much worse than The Turnabout Intruder or The Way to Eden or And the Children Shall Lead or Spock’s Brain. Yep, there’s a lot to look forward to if I ever get around to finishing the third season of the show.

Still, the fact that The Alternative Factor might possibly not be the worst thing to happen to Star Trek in its nearly fifty years of existence is damning with faint praise. But I’m sure the episode will take whatever it can get.

It hurts!

It hurts!

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Star Trek – Arena (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

Arena is a fascinating piece of Star Trek, because it’s such an iconic and important piece of franchise history, despite the fact that it’s far from the best that the show has to offer. Indeed, the basic premise of the show is rather generic science-fiction B-movie stuff. Kirk is forced to compete against a lizard-like alien by some god-like beings to ensure the survival of his crew. The script, by producer Gene L. Coon, is credited to a story written by Fredric Brown. Despite its similarities to Brown’s short story of the same name, Arena also shares quite a few plot points with a 1964 episode of The Outer Limits, Fun & Games. None of this is to suggest that Coon was consciously channelling these sources when he wrote the teleplay, just to illustrate how generic the basic plot is.

However, despite (or perhaps because of) this rather straightforward and familiar set-up, Arena is a truly memorable episode of Star Trek. Like quite a few other episodes of the original Star Trek, the episode produced images and concepts that have resonated well outside Star Trek fandom, to the point where elements like the Gorn or Kirk’s highly dubious improvised weapon will be recognisable to people who have never actually seen the episode. However, the episode is also vitally important to the Star Trek franchise itself, as it offers a more thorough expansion and exploration of the back story that has been inconsistently hinted at throughout this first season. Arena is really the first episode to feature a fully-formed framework for the internal logic of the Star Trek universe, one that has informed half-a-century of the franchise.

Plus, you know, Kirk wrestles a lizard man.

Don't pretend you aren't loving every minute of this, Shatner!

Don’t pretend you aren’t loving every minute of this, Shatner!

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Star Trek: The Next Generation – Requiem by Michael Jan Friedman & Kevin Ryan (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

At the risk of stating the obvious, Star Trek is a franchise spanning almost half-a-century with six leading actors and five different television shows. Due to its nature, one of the more enjoyably fanboy-ish pastimes is attempting to reimagine various confrontations and encounters, swapping out the characters involved. How would Kirk have responded to the Borg? Would Sisko have been ideally suited to dealing with the Xindi threat? What if Janeway faced the Doomsday Machine? Different characters have different defining moments, and those moments often play to their particular strengths. It might be fun to watch Khan spar with Picard, but it probably wouldn’t work as well as it did with Kirk. Q and Kirk would probably have difficulty striking it off.

Still, Kirk’s confrontation with the Gorn in Arena stands as one of the most iconic moments in the whole of the franchise, to the point where the weird toga-wearing god-like being at the end barely gets a look-in. Indeed, based on Sisko’s fanboy gushing in Trials and Tribble-ations, it seems to be one of Kirk’s defining moments within the shared Star Trek universe. So it might be fun to take Captain Jean-Luc Picard, and put him through that same sort of confrontation.

tng-requiem

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Star Trek – Shore Leave (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

When I talk about the surreal sixties energy that really holds quite a bit of Star Trek together, it’s quite possible that it sounds like a back-handed compliment, a cheap and easy gig at a cult television show. However, I mean that sincerely. When I argue that the illogical and somewhat scattershot dynamism of the last act of Court Martial can barely hold the patchwork script together, it’s quite possible that I sound like I’m being sarcastic. However, my affection for the mad-cap mayhem particular to the first iteration of Star Trek is entirely genuine. Although it makes no sense, the climax to Court Martial isn’t the problem. Everything leading up to it is.

I think Shore Leave is pretty much the perfect iteration of this concept. It is, from start to finish, absolutely insane nonsense that threatens to fall apart if one concentrates too hard on any particular detail. However, it’s executed with enough energy and drive that it becomes a compelling and surreal piece of television, and one of the best illustrations of the kind of weirdness that the classic Star Trek could pull off almost effortlessly.

No bunny business...

No bunny business…

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Star Trek – The Menagerie, Part II (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

I will admit that I am sceptical of Gene Roddenberry as a writer. There’s no denying that Roddenberry was a fantastic ideas man. After all, his concepts and characters have stood the test of time. Without Roddenberry, there would be none of the Star Trek that we all love so dearly. As such, I feel a little guilty when I criticise his writing, or when I argue that his influence on the early years of Star Trek: The Next Generation held the show back from greatness. (I’d suggest that it was only when Roddenberry’s involvement was minimised, and the writers were allowed to add shading to his futuristic utopia that The Next Generation truly came into its own.)

Still, Roddenberry was always an excellent salesman, and his script for The Menagerie brings out that quality in abundance. The Menagerie is effectively an excuse for why the show ran out of original scripts half-way through its first year, and Roddenberry might not make the most convincing argument, but he still makes it compelling.

Watching Star Trek on Star Trek...

Watching Star Trek on Star Trek…

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Star Trek – The Menagerie, Part I (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

Ah, clip shows. The bane of modern television. Okay, I’m being a bit harsh. After all, home media is a relatively recent invention. Up until the past couple of decades, it seemed that most people would only catch their television shows on… well, television. The audience was generally thought to be somewhat transient, the realities of scheduling and life making it highly unlikely that everybody would see everything. Indeed, most fans of old television shows found themselves at the mercy of fickle network schedules. Particularly for long-running shows, it was reasonable to assume that a significant portion of your audience might not be intimately familiar with the show.

Of course, the emergence of DVD box sets and on-line streaming have radically changed the way that television operates. Most obviously, there has been a massive a swing towards serialisation in the past few years, overlapping with the expansion of home media. While it’s tough to imagine a show like The Wire or Game of Thrones working in the early nineties, the fact that people can record and download and own their television shows means that producers can get away with assuming that everybody has seen everything.

What I’m getting at here  is that there was a time when clip shows were an understandable, maybe even desirable, part of the network television landscape. They could bring new viewers up to speed, or allow old viewers to celebrate the favourite parts of the show that they would otherwise never see again. Indeed, The Menagerie, the only two-part episode of the classic Star Trek, has a better excuse than most. The clip sections of this adventure are taken from the 1964 pilot, The Cage. Not only was this footage two years old when The Menagerie was broadcast, it had also never been aired.

Spock the difference...

Spock the difference…

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Star Trek: Early Voyages #12-15 – Futures, Parts I, II, III & IV (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

As we discussed before, Star Trek: Early Voyages is about as close to a series starring Christopher Pike as we are ever likely see. A monthly comic book running for about a year-and-a-half, told by Dan Abnett and Ian Edginton, the book followed the adventures of Christopher Pike’s Enterprise, a prelude to the classic Star Trek television show, filling some gaps left by The Cage and The Menagerie. However, the comic had the benefit of being told after a lot of Star Trek had aired.

First published in 1997, it hit stands after the big-screen adventures of the Kirk era had officially wrapped up in Star Trek: Generations, and long after Star Trek: The Next Generation had gone off the air. Even Star Trek: Deep Space Nine was more than half way through its run. This puts Early Voyages in an interesting place. It is set in the past, but knows how the future plays out. The epic four-part Futures storyline plays with this concept, offering us a glimpse of an imperfect future where Captain Kirk is a rogue running a cargo ship, the Klingons have annexed considerable portions of the Federation and are on the verge of war…

Oh, and Christopher Pike is happy. That’s how you know it’s a flawed universe.

"And THAT is for stealing my show!"

“And THAT is for stealing my show!”

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Star Trek – Court Martial (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

It’s hard not to be impressed by the sheer versatility of Star Trek as a format. For a show about exploring the universe, the creators have really managed to incorporate just about any and all genres of television story. Over the franchise’s 700-episode history, there’s been a wealth of quirky episodes that explore types of stories that one might consider quite surreal for a show about a ship travelling to the stars. A court room episode might not be the most radical of these shifts, but Court Martial is still fascinating as an evolution of Star Trek as a concept, broadening the kind of stories that could be told within a Star Trek framework. After all, the fact that there’s a whole subgenre of Star Trek involving court room drama is probably rooted in this first-season adventure.

While its influence is absolutely massive, Court Martial is still a problematic episode. Despite demonstrating what writers could really do within the context of the show, Court Martial suffers because it’s really not that good.

Running rings around the prosecution...

Running rings around the prosecution…

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Star Trek – The Galileo Seven (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

It’s amazing to think that only now, almost half-way through the first year of Star Trek, the show is doing a Spock-centric episode. Spock is an iconic and instantly recognisable part of Star Trek lore, to the point that Leonard Nimoy’s version of the character served as the link between the classic series and JJ Abrams’ 2009 reboot of the franchise. The character appeared in The Cage, the very first episode of Star Trek ever produced. He is perhaps even more iconic than James T. Kirk himself.

So it feels slightly weird, then, that The Galileo Seven should serve as the first episode of the series completely devoted to Spock as a character, pushing Jim firmly to the background as we get a look at Spock’s first command experience.

Talk about carrying dead weight...

Talk about carrying dead weight…

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