Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first season. Check back daily for the latest review or retrospective.
The Storyteller should not work half as well as it does. While some episodes this season (notably The Passenger and Battle Lines) feel like they were simply lifted directly from the “reject” pile within the writers’ room on Star Trek: The Next Generation, The Storyteller is actually a rejected pitch from that show’s first season. Written by Kurt Michael Bensmiller, the writer responsible for Time Squared, one of the stronger installments of the show’s first two years, it was also written late in 1992, about a month before Star Trek: Deep Space Nine would actually air.
And yet, despite that, The Storyteller really feels like a show that wouldn’t work on any of the other Star Trek spin-offs. A lot of that seems to be down to the work by Ira Steven Behr to polish up Bensmillers’ draft and to add a lot of character work and development to what is a decidedly high concept. As producer Michael Piller confessed in Captains’ Logs Supplemental – The Unauthorized Guide to the New Trek Voyages, “Ira did a lot of work on that script.”
O’Brien’s mind is a bit clouded right now…
Filed under: Deep Space Nine | Tagged: Bajoran, Colm, deep space nine, england, Gina Philips, Ira Steven Behr, Julian Bashir, Michael Okuda, Michael Piller, Miles O'Brien (Star Trek), O'BRIEN, Rick Berman, star trek, Star Trek Next Generation, star trek: deep space nine, star trek: the next generation, star trek: the original series, StarTrek, Storyteller, vulcan, Worf | 4 Comments »
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