This February and March, we’re taking a trip back in time to review the fourth season of The X-Files and the first season of Millennium.
Kevin J. Anderson is a very experienced hand when it comes to tie-in fiction.
Although Assemblers of Infinity was nominated for a Nebula Award in 1993, Anderson is perhaps best known for his work with licenced properties. He has written a significant number of Star Wars novels. He has published a trio of books set in the world of The X-Files. Indeed, Anderson would even adapt his first novel – Ground Zero – into a comic book miniseries for Topps. When Brian Herbert decided to finish his father’s Dune series, he collaborated with Anderson.
So Anderson is very much a safe pair of hands. He is a writer you can trust to construct a functional two-part X-Files story with a logical structure and a solid central premise. Anderson knows how to work within the boundaries of tie-in media, and he knows how to write a solid science-fiction or fantasy story. Pairing him with artist Gordon Purcell makes a great deal of sense, particularly for comic book that is trying hard to cement its place as a good old-fashioned tie-in.
Family Portrait is not exceptional, but it doesn’t try to be. Instead, it is functional. It is more efficient than ambitious, feeling very much like a classic horror comic that just happens to feature Mulder and Scully than a compelling episode of The X-Files in its own right.
Filed under: Comics, The X-Files | Tagged: black forest, black hills, Comics, gordon purcell, kevin j. anderson, paparazzi, Photography, reviews, Topps, x-files | Leave a comment »



















