I published a new In the Frame piece at The Escapist this evening. With the release of Spider-Man: Across the Spider-Verse this weekend, it seems like as good an opportunity as any to take a look back at Spider-Man: Into the Spider-Verse.
Into the Spider-Verse is arguably the best superhero movie of the previous decade. A large part of the film’s appeal is that it is a superhero movie built around the understanding that its audience has seen other superhero movies and understands the classic beats of the superhero origin story. As such, it can speed them up and slow them down, iterate over them and subvert them, using the audience’s familiarity to create a postmodern meditation on the very idea of Spider-Man.
You can read the piece here, or click the picture below.
Filed under: Movies | Tagged: Conventions, in the frame, meaning, memes, memetic, Narrative, pop culture, postmodern, rhythm, sony, spider man, spider-verse, storytelling, tropes, viral |
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