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“I Want to Read Comics After Seeing the Avengers”: Post-Avengers Comic Book Recommendations…

The Avengers opened in a lot of major markets this weekend. It is opening in the United States this Friday. It’s set to be huge and has been quite well received by critics and audiences. Now, I know that this massive blockbuster movie won’t convert the millions of avid movie-watchers into comic book fans, if only because other comic books have failed to see that appreciable a gain from success in other media. However, on the off chance that somebody comes out of the cinema thinking “hey, I really like that and would like to check out the source material”, I’ve compiled a handy list of recommendations that should be readily available and easy to find for would-be fans looking to get a taste for the iconic characters in their original media.

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Brian Michael Bendis’ Avengers – Prime (Review/Retrospective)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.”

Avengers Prime feels more like an epilogue than a new chapter. It’s a very clear attempt by writer Brian Michael Bendis to draw a line under the past five years of Marvel continuity, the direction of the Avengers franchise from Avengers: Disassembled through to Siege. It’s an attempt to sum up everything that had happened thematically, and to all his characters to move forward, hopefully stronger for the experience – a genuine attempt at character development inside the relatively static genre of superhero comics. While it feels, at times, a little bit too simplistic, it does feel like Bendis is tying up all his loose ends and ready to push forward on to new ground.

From the wreckage...

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Dance on Film at the IFI, 13th May 2012

The IFI are hosting a celebration of dance on film on Sunday 13th May 2012 as part of the annual Dublin Dance Festival. A ninety-minute selection of short dance films, including live action and animation, it promises quite an eclectic line-up:

Russell Maliphant’s Critical Mass filmed by David Hinton (director of several DV8 film masterpieces) features Maliphant himself and Jordi Cortes Molina. Antonia Franceschi, ex-New York City Ballet principal and ballerina in Fame, leads Mark Baldwin’s thriller Pointe Blank. Sultry figures glide through Prague streets in Topic II and dancing tableware appears in Paul Bush’s Furniture Poetry, while shuddering ballet dancers attempt the White Swan pas de deux from Swan Lake in his Pas de Deux de Deux. Philippe Decouflé’s films are entertainingly French, while Ashley Roland & Jamey Hampton’s Advance is snappily American.   One Thousand Steps drifts along urban pavements, distorting perspective and perception.  Spot James Thierrée and Ballet Boyz Michael Nunn and Billy Trevitt  in The Rime of the Ancient Mariner, narrated by Sir John Gielgud.  Fresh from the cutting room is the premiere of Jessica Kennedy’s Motion Sickness.  And the winner of our RTÉ Dance on the Box online poll is… WildFire Films and David Bolger’s  Deep End Dance.

The screening will take place at 4pm, and all twelve RTÉ Dance on the Box films will air on Network 2 as part of the festival, with scheduling to be confirmed. For more information on the IFI event, click here. For more information on the festival, click here. To view the rather impressive Dance on the Box competitors, click here. Here’s an example, below.

New The Dark Knight Rises Trailer

You don’t owe these people any more. You’ve given them everything.

Not everything. Not yet.

-Selina and Bruce

The new trailer for The Dark Knight Rises has been released and it looks suitably epic. Hm. Looks like it really might be about “the idea of Batman” in a very Grant Morrison-esque sort of way. “I’m adaptable,” Selina boasts, but she could be speaking of Batman himself, who is capable of being anything pop culture wants him to be. I suspect Nolan will be hitting the idea of Batman as a mythic symbol quite hard, and I honestly think that’s the best way to cap off a trilogy that’s been about the notion of a “modern” Batman. In particular, it seems that it might be exploring the notion of Batman as an inspirational figure being more important than the man in the mask. I think my excitement just went off the scale.