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Geoff Johns’ Run on The Flash – Rogues, Crossfire & Blitz

What with Geoff Johns returning to write The Flash, I figured I’d dig out some of the old collections of his first run on the title – arguably the run which brought the writer to the attention of comic book readers everywhere. In a run spanning five years, Johns managed to not only offer a suitably impressive successor to Mark Waid’s run on the title, but also tell his own boldly unique story. In a way, the writer’s time on the title can be broken down into two distinct halves – in fact, the final issue collected here is consciously a transition, with the universe being massively re-written and the status quo irrevocably altered. This collection represents the end of that first half, in which Johns was paired with artist Scott Kolins. I think it’s fair to say that the pair made magic on the title.

The Rogues take the opportunity to chill out...

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And They Lived Happily Ever After? Will Gnomeo & Juliet Have a Happy Ending?

It started out like Romeo and Juliet, but it ended up in tragedy.

- Milhouse Van Outen

I have to be honest. I studied Romeo and Juliet in secondary school and I just didn’t get it. Not the fancy-ass language or the outdated words, but the appeal of the play. Seriously? This piece of work right here is frequently regarded as one of the romantic pieces of literature ever written? A play about a teenage fling which ends in suicide? Where Romeo falls for Juliet on the rebound and they never get to spend any time together? Where a convenient third-act quarantine serves to lead to the play’s tragic conclusion? I never really got the appeal of the work – I mean, it was good and smart, but it struck me as a lot more cynical and bitter than most seem to think it is. And so this trailer for Gnomeo and Juliet arrives, and I’m wondering – will a whole generation of children end up scarred by the image of gnome suicide?

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Daredevil by Ed Brubaker Omnibus, Vol. II

Still, it must have been nice for you, Murdock.

What?

To win this one. It seems like you really needed it.

- North and Murdock

There goes the whiniest superhero I ever met.

- Mr. Izo

I’ve said it before and I’ll likely say it again: Daredevil has had an amazing ten-year run under the stewardship of Kevin Smith, David Mack, Brian Michael Bendis and Ed Brubaker. It’s just been a really well-put together comic book which really works. one of the finest compliments of the book I’ve read, and one I sadly can’t take credit for, is that Daredevil mostly avoids the deconstruction which has been a fixture of many iconic runs, while also avoiding the pitfalls of nostalgia that typically define the reaction to deconstruction – instead, the book has found a third way: it has found a way to take the conventional tropes of the superhero genre, and use them to offer something relatively new and exciting, exploring the story potential inherent in ideas like a secret identity, or what happens when a vigilante creates a vacuum in crime. Ed Brubaker, who – if you ask me – has offered the most fascinating run on the character and has surpassed his work on Captain America, finishes his run here and closes a chapter in the life of the Marvel Universe’s most tragic superhero.

Stars in your eyes...

Note: This review will contain spoilers for the end of Brubaker’s run, if you aren’t already familiar with it. I’ll flag them beforehand, but consider yourself warned.

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Should Harvey Dent Return in Batman 3?

I’m having what might be termed ‘a Batman day’. I finally managed too tear open and read my copy of Absolute Batman: The Long Halloween and I’m a little giddy about it – and the fact Batman was just named Britain’s favourite superhero. In fact, it reminds me of just how much I want a sequel to The Dark Knight to at least be announced officially – the steady stream of increasingly inane rumours (Eddie Murphy, Megan Fox, yeesh) aren’t quite satiating my thirst. There’s been (understandably) a lot of discussion about the villains in the new film. I honestly don’t know who Nolan will pick (though my money is on Catwoman if only to adjust the gender ratio), but I am fascinated by the on-line discussion surrounding whether the characters of Harvey Dent and The Joker will (or should) return. My opinion of the Joker is simply: if he does, he does. Heath Ledger won an Oscar and gave us a fantastic portrayal of the character. If Nolan wants to bring him back recast, I’m cool. On Dent, I’m more sure: I don’t want to see him again.

Bringing back Harvey is a half-brained idea...

Bringing back Harvey is a half-brained idea...

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