To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.
It’s hard not to be impressed by the sheer versatility of Star Trek as a format. For a show about exploring the universe, the creators have really managed to incorporate just about any and all genres of television story. Over the franchise’s 700-episode history, there’s been a wealth of quirky episodes that explore types of stories that one might consider quite surreal for a show about a ship travelling to the stars. A court room episode might not be the most radical of these shifts, but Court Martial is still fascinating as an evolution of Star Trek as a concept, broadening the kind of stories that could be told within a Star Trek framework. After all, the fact that there’s a whole subgenre of Star Trek involving court room drama is probably rooted in this first-season adventure.
While its influence is absolutely massive, Court Martial is still a problematic episode. Despite demonstrating what writers could really do within the context of the show, Court Martial suffers because it’s really not that good.
Filed under: The Original Series | Tagged: Ben Finney, Benedict Cumberbatch, Charlie X, Court Martial, D. C. Fontana, Elisha Cook Jr, Fontana, games, Gene L. Coon, J. J. Abrams, james t. kirk, kirk, red alert, science fiction, star trek, Star Trek Into Darkness, StarTrek, Television and Movies, Television program, Where No Man Has Gone Before, William Shatner | Leave a Comment »