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Generation Next: The Changing of the Cinematic Guard…

There are times when I feel quite young. I was born on the same day that The Joshua Tree was released. My dad took me to the cinematic re-release of Star Wars. I was mainly introduced to the great directors through video and DVD. Hollywood as it exists today is not markedly different from the Hollywood that I grew up with. However, as I sat in the cinema last week, it occurred to me: perhaps I have sat through my first real changing of the cinematic guard, so to speak. It’s an occurance so subtle and gradual that I never really noticed it, and yet it must, by necessity, be part of Hollywood’s seasonal cycle.

Putting the older generation out to feed?

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Battlestar Galactica: Razor

It’s strange what we carry with us past the end of the world. In The Road, it’s hope for our children carted around inside an old shopping trolley; in 28 Days Later, it’s whatever humanity we can find hiding amid the ruins. For Admiral Helena Cain, what she carries with her after the destruction of her home is what she’s carried with her her whole life: a razor she picked up as a small child to defend herself after the loss of her younger sister. She carries that until she can’t – then she passes it on to her surrogate daughter, who carries it until she can’t. The razor itself is lost with Kendra Shaw, and maybe that’s a good thing. The last member of Cain’s inner circle dies taking all that hatred and aggression and lust for validation and vengeance with her. It’s an important transition. It’s also particularly insightful – given how Battlestar Galactica has generally focused on rebuilding after the fall of society – establishing a functioning democracy, a legal system and even rebuilding Caprica in a form – that this television movie focuses on the flipside of the coin: what humanity takes with it after the fall.

Talk about retro chic...

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