This October/November, we’re taking a trip back in time to review the eighth season of The X-Files and the first (and only) season of The Lone Gunmen.
Redrum is perhaps notable as the highest concept episode of the eighth season of The X-Files, a character drama that unfolds backwards.
As a rule, the eight season is more conservative than the seasons around it. In terms of narrative, it may be the most conservative season of The X-Files since the show’s first year. Redrum is perhaps the season’s biggest formal experiment. While very few high-profile prime-time television shows would attempt to tell a story backwards, Redrum feels a lot less bold than something like Humbug, Jose Chung’s “From Outer Space”, Musings of a Cigarette-Smoking Man, The Post-Modern Prometheus, Bad Blood, Triangle, X-Cops or even Improbable.
On paper, this should be a highlight of the season. Redrum features a guest performance from Joe Morton, receiving a coveted “special guest star” credit for his work. (Notably, Kim Greist did not earn a similar credit on Invocation.) The high-concept premise of the episode seems like it would make a great pitch for Sweeps, like X-Cops did only a year earlier. In fact, Redrum was produced as the first stand-alone episode of the season, priming it for the slot occupied by Drive and Hungry in earlier seasons.
There is a sense that the production team are wary of Redrum. The episode was pushed back from its production slot relatively deep into the season. It was with second-last episode of the eighth season to air before the Christmas break. The show attracted a relatively small amount of publicity, particularly as compared to the “where’s Mulder?” hype of that greeted the début of the season. There is a sense that Redrum would have garnered more attention only a year or two earlier.
It is easy to see why the production team were so wary of Redrum. The eighth season is a point of transition for The X-Files. The show is still reeling from the loss of David Duchovny; there is a sense that the show never moves past that. The agenda for the eighth season is to convince viewers that The X-Files is still a viable television show, even without the lead actor who helped to make it famous. While the show is smart enough not to downplay the change, the production team are keen to demonstrate the show can still do what it always did.
As such, the eighth season finds the show adopting a “back to basics” approach, harking back to many of the tropes that made The X-Files such a breakout hit in the first place. There is a lot more horror and mood in the eighth season, a lot more of the traditional scares. That means that Redrum ends up feeling very much like the odd episode out.