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Scary Monsters and Super Freaks…

D’you know what would have been scarier than nothing?

What?

Anything!

- Bart and Lisa discuss Edgar Allen Poe’s The Raven, The Simpsons

The week before last, in reviewing Insidious, I made the observation that director James Wan made the mistake of “showing too much” in his horror film, and that movie itself suffered because it didn’t show any restraint in how it handled its creatures and monsters. The always wonderful Justin, in fairness, called me on my assertion correctly – who ever stated it was a rule that horror films can show too much? Surely it’s possible to show as much of something as you might want, provided you have enough talent and skill to do it well? Surely showing too much only becomes a problem when you aren’t skilled enough to deliver something genuinely terrifying?

Or is it something more primal? Is what you don’t see scarier?

Do I have a point?

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Non-Review Review: You Only Live Twice

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

You Only Live Twice was my favourite when I was younger. It was energetic, witty, bright, colourful and adventurous. The stakes were ridiculously high – no less than the Third World War. Bond’s trip to Japan painted the country as an exotic wonderland to a mind as young as my own. The script was smart and the action was fast-paced – the movie still breezes along even today. The cost of the speed is that the movie is ultimately fairly light – it doesn’t carry anything particularly heavy or thought-provoking. This means that it ends up feeling relatively light-weight when measured against some of Sean Connery’s earlier outings like From Russia With Love or Goldfinger, which worked at least as much with suspense as with action.

Is Bond turning Japanese?

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