Evil Dead does has a bit of a quirky charm to it, serving as perhaps the best-made horror throwback I’ve seen in quite some time, much more effective than most of the recent splurge of exorcism movies. As far as competent execution of classic horror movie tropes go, complete with the sense of “something gruesome’s gonna happen” dread and a healthy amount of gore, Evil Dead succeeds admirably. There are some issues in the final act, but Evil Dead checks all the necessary boxes, and does so with a minimum amount of fuss or pretension, which makes it a surprising enjoyable watch for those looking to enjoy a good old-fashioned video nasty.
That said, it can’t help but feel a little awkward, through no fault of its own. Sam Raimi’s Evil Dead was a genre classic which worked in a large part because it eschewed all but the most basic tropes of horror storytelling, refusing to dress a video nasty in anything too fancy. The movie came to embody a particular subgenre of horror, and it wore its grotesqueness on its sleeve. Last year, Cabin in the Woods offered a fitting follow-up, a capstone to that approach to horror. As such, through no fault of its own, this version of Evil Dead feels like it arrived a little late.
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Does Cabin in the Woods Out- “Hunger Games” The Hunger Games?
Sometimes I form weird movie connections in my head – tying two particular films together even if there’s very little common ground on which to link them. For example, I sat through quite a bit of Shame thinking of Collateral, a film linked tangentially thematically, as both offered rather scathing portraits of anomie against the backdrop of a major American city. On the other hand, I also formed a rather strong connection between the superb Cabin in the Woods and the mega blockbusting phenomenon The Hunger Games. As I watched Joss Whedon and Drew Goddard’s powerful exploration of the horror genre, I couldn’t help but feel that this was exactly what The Hunger Games wanted to be, even if the film adaptation couldn’t quite manage it.
The show must go on!
Note: This article contains some background information on Cabin in Woods. Nothing too big, but I would honestly recommend that you see the film as blind as possible. It is, by some considerable margin, one of the best films of 2012, and entirely deserving of both your time and your money. This article will still be here when you get back.
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Filed under: Movies | Tagged: Anna Hutchison, arts, battle royale, bbc, Cabin in the Woods, chris hemsworth, debate, Drew Goddard, films, Horror fiction, Hunger Games, joss whedon, meta-fiction, Movies, reviews, social commentary, Suzanne Collins, United States, Woods, Year of the Sex Olympics | 7 Comments »