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Non-Review Review: Epic

Epic looks stunning. While it doesn’t necessarily push the envelope in terms of 3D rendering or animation, it’s often quite beautiful to watch. Even in 3D, the vibrant greens radiate off the screen, with the characters having a pleasant elasticity to them. The action sequences are well-staged and the choreography is generally impressive. However, despite this, Epic winds up feeling rather shallow. Perhaps it’s a result of the decision to develop the world as a priority, rather than the characters inhabiting it.

The story is more a collection of familiar tropes and set-pieces than a compelling narrative, and none of the lead characters are ever developed beyond basic archetypes. There’s the plucky heroine, the roguish hero, the gruff mentor, the free-spirited wise oracle, the drôle accented bad guy, the comic relief and even the kooky dad. None feel of any real substance, which is a problem when you’re executing a plot as straight-forward as this.

It's a slug's life...

It’s a slug’s life…

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Non-Review Review: Wreck It Ralph

Wreck It Ralph is a charming animated film, and one with all manner of interesting ideas. It teases a fascinating take on the archetypal children’s movie narrative – the notion that perhaps roles in stories cannot be so easily devolved into “good guy” and “bad guy” stereotypes. It raises all manner of insightful possibilities, drawing on a diverse cast of characters to offer us what amounts to the story of two outcasts dealing with the fact that they don’t necessarily get to be part of narratives that might make them a hero.

Unfortunately, there’s only so far you can bend this sort of hero’s journey before it breaks – or snaps back in your face, if you’re watching a slapstick cartoon. Wreck It Ralph compromises a bit too much in its final act, undermining a lot of what had been its appeal in order to offer a staggeringly conventional ending. It’s a shame, because it’s willingness to subvert so many narrative norms is a large part of the appeal of the film.

Sometimes life isn't two-dimensional...

Sometimes life isn’t two-dimensional…

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Non-Review Review: Red Riding – The Year of Our Lord 1980

Talk to someone else!

There is no one else, they’re all %$#!ing dead!

- BJ and Hunter

Red Riding: 1980 isn’t quite as strong as its direct predecessor. In fact, it’s probably the weakest of the films in the trilogy. There are quite a few reasons for this, but that doesn’t mean that it isn’t worth watching. For all its flaws as part of a continuing narrative, Red Riding: 1980 is still a fascinating tale of police corruption, and arguably the movie of the trilogy that works best as a standalone feature. Or, at least, better than it does as one connected narrative. Red Riding: 1974 depends on Red Riding: 1983 for an ending, and Red Riding: 1983 depends on Red Riding: 1974 for a beginning. Red Riding: 1980 sits in the middle, and serves as something of an example of the type of endemic corruption that has taken root in this version of Yorkshire.

Hunter on the prowl…

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Despicable Me 2 Trailer

Universal Pictures Ireland just sent on this trailer for Despicable Me 2, the sequel to the very soldi animated film starring Steve Carrell. This time, Carrell is joined by Al Pacino, which I am actually quite excited about. There’s no denying Pacino’s contributions to modern cinema, but at this point in his career Pacino is at his best when he’s gloriously chewing down on the scenery. Given his voice can be downright bombastic (“HOOO-ah!”) at times, casting him as an over-the-top supervillain in an animated film seems pretty ideal.

The trailer doesn’t offer any hints to Pacino’s role. Instead, like the Ice Age trailers, it focuses more on the engaging supporting characters – “the minions.” I like the minions, if only because they lend themselves well to broad physical comedy, in a way this isn’t really all that challenging but is quite effective. The trailer doesn’t really offer anything new in that regard, but it’s still charming enough. Silly golf clothes are always funny, and Tubular Bells always brings a smile to my face. Check out the trailer below.

Justice League Unlimited – Divided We Fall (Review)

This September marks the twentieth anniversary of Batman: The Animated Series, and the birth of the shared DC animated universe that would eventually expand to present one of the most comprehensive and thorough explorations of a comic book mythology in any medium. To celebrate, we’re going back into the past and looking at some classic episodes.

Divided We Fall makes for a fond farewell to the Justice League and Justice League Unlimited. At the time the show was produced, the creators did not know that they’d get another season, and the season finale that followed Divided We Fall was dedicated to wrapping up the entire DC animated universe from Batman: The Animated Series through to Batman Beyond. So, appropriately, Divided We Fall focuses on the “original seven” members of the Justice League, offering one final climactic confrontation between the Justice League and combined forces of Lex Luthor and Brainiac.

Heroes for higher purposes?

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Justice League Unlimited – Panic in the Sky (Review)

This September marks the twentieth anniversary of Batman: The Animated Series, and the birth of the shared DC animated universe that would eventually expand to present one of the most comprehensive and thorough explorations of a comic book mythology in any medium. To celebrate, we’re going back into the past and looking at some classic episodes.

Panic in the Sky is an interesting episode, essentially serving as the climax of the conflict between the Justice League and Cadmus. Divided We Fall would focus more tightly on the League confronting Brainiac and Luthor, with an after-thought given to the question of their authority to wield such power. Panic in the Sky, as such, feels a bit torn between positioning all the players (“the big seven”) for that final confrontation, while offering the inevitable conflict between the Justice League and the United States government. As such, it’s really one big extended fight sequence, allowing McDuffie to avoid some of the more complex and compelling issues he’d raised. Still, it’s an effective episode of the show, a fun confrontation, and an illustration of just how skilled McDuffie is at structuring these gigantic arcs with so many plots and characters in the air.

Power Girl Power…

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Justice League Unlimited – Flashpoint (Review)

This September marks the twentieth anniversary of Batman: The Animated Series, and the birth of the shared DC animated universe that would eventually expand to present one of the most comprehensive and thorough explorations of a comic book mythology in any medium. To celebrate, we’re going back into the past and looking at some classic episodes.

While Question Authority kicked off this four-part climax to the arc that had been building through the first season of Justice League Unlimited, it’s Flashpoint that really serves to bring things into focus. Question Authority had been told mostly from the point of view of the Question, an outsider looking in – but Flashpoint explores the consequences of this inevitable conflict for the core of the Justice League. It’s amazing just how thoroughly and carefully writer Dwayne McDuffie was able to explore the concept of the superhero in this cynical post-9/11 world. While Divided We Fall would sidestep quite a few of the issues raised, I’m quite impressed to see them even broached in a half-hour cartoon action series.

All fired up…

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Justice League Unlimited – Question Authority (Review)

This September marks the twentieth anniversary of Batman: The Animated Series, and the birth of the shared DC animated universe that would eventually expand to present one of the most comprehensive and thorough explorations of a comic book mythology in any medium. To celebrate, we’re going back into the past and looking at some classic episodes.

If Paul Dini’s writing can be said to evoke the best of Batman: The Animated Series, Dwayne McDuffie’s work on Justice League Unlimited fills the same niche. Dini’s scripts tended to generate pathos and tragedy for the massive and varied supporting cast of Gotham City, offering insightful character studies about the broken denizens of Batman’s world. McDuffie’s Justice League work offers a thoughtful and modern examination of traditional characters, often finding moments of character amid epic storylines built around exploring the tapestry of this shared universe. While the late McDuffie was responsible for quite a few memorable episodes of the show, it’s fair to argue that the four-episode climax of Justice League Unlimited‘s “Cadmus” arc capture those strengths almost perfectly – playing to his skills as well as Heart of Ice played to Dini’s.

Luthor’s got a gun…

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The Adventures of Batman & Robin – Riddler’s Reform (Review)

This September marks the twentieth anniversary of Batman: The Animated Series, and the birth of the shared DC animated universe that would eventually expand to present one of the most comprehensive and thorough explorations of a comic book mythology in any medium. To celebrate, we’re going back into the past and looking at some classic episodes.

Batman: The Animated Series always did a great job with villain origins. Heart of Ice gave us the best Mister Freeze story ever told, The Clock King made the eponymous third-stringer a credible threat and Mad as a Hatter reimagined the Mad Hatter as a deeply tragic figure. That said, I don’t think that the show got a proper handle on the Riddler until his third appearance in Riddler’s Reform. The green-suited trickster has long been one of my favourite Batman bad guys, and while I mostly blame Frank Gorshin’s manic portrayal from the sixties Batman! television show, Riddler’s Reform played a pretty significant part in that as well.

Knight caller…

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The Adventures of Batman & Robin – Deep Freeze (Review)

This September marks the twentieth anniversary of Batman: The Animated Series, and the birth of the shared DC animated universe that would eventually expand to present one of the most comprehensive and thorough explorations of a comic book mythology in any medium. To celebrate, we’re going back into the past and looking at some classic episodes.

Heart of Ice is a phenomenal piece of television. Paul Dini’s sharp script somehow managed to take one of the most camp and forgettable theme villains in Batman’s iconic selection foes, and elevate them to a prime position. After all, were it not for that reimagining of the villain, Victor Fries would likely be a footnote in Batman history, ranking not too far above the Killer Moth or the Calendar Man in the dregs of Batman’s rogue’s gallery. However, while the story provided a concrete and grounded origin for an otherwise Z-list villain, it also raised some interesting questions about where the character could be taken after that.

His second appearance in the series, Deep Freeze seeks to answer those question. While, ironically, it’s considerably shallower than its predecessor, it’s still an interesting look a villain defined by this show.

Freeze frame…

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