Matthew McConaughey has really reinvented himself, hasn’t he? Over the past few years, McConaughey has invested considerable effort in being taken seriously as an actor. His work in films like The Lincoln Lawyer and Bernie has been a large part of this, but he’s always garnered considerable praise for his work on films like Killer Joe and Mud. His upward trajectory seems to be continuing, with McConaughey taking the lead role in Christopher Nolan’s Interstellar and now headlining (with Woody Harrelson) HBO’s upcoming new drama True Detective.
It’s amazing how skilfully HBO has cornered the market on high-quality high-interest television. True Detective would be interesting enough given its caliber and pedigree - McConaughey and Harrelson starring, with Cary Fukunaga directing – but it’s especially interesting given the format that has been chosen. The first season will apparently be a self-contained story, charting a seventeen-year investigation in Louisiana. However, if the show is renewed, apparently plans are to recruit an entirely new cast for an entirely different story.
In essence, it seems – not having seen the show in action – that it’s a serial anthology. Or, perhaps more accurately, a collection of annual miniseries collected under the same brand. Colour me excited at the prospect. American television tends to be wary of miniseries as anything other than prestige pieces, but I grew up on British television, where it was possible for a show to run just eight episodes and to be considered an artistic success. True Detective looks like an experimental take on a familiar set-up from a fantastic creative team. It looks stylish and atmospheric, and I’m a sucker for well-told crime tales.
I’m already looking forward to it. It’s out this January, on HBO, which means Sky Atlantic will likely air it not too long afterwards.